Christmas Still-life Photography

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

This is a photogravure by John Dugdale offered by CLAMP in New York City. This is a cyanotype of a bouquet of flowers with a large bumble bee. Wonder Stings Me More Than the Bee 199...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...

This photograph belongs to the series, "Absolute Powers / ex nihilo." These photographs dive deeper into the taboo and controversial topic of money by showcasing an array of intrigui...

Three Pears and an Apple, France, c. 1921: The Early Years 1900-1927, 1981 photogravure on BFK Rives Paper image size: 13 x 10 inches paper size: 20 x 15 1/4 inches Edition of 500

This photograph belongs to the series "Conversations." Evoking Dutch still-life as inspiration, these beautiful, contemporary tabletops contemplate technology's implications upon hum...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...