Factory Still-life Photography

Industrial interior photograph of a rusted factory stove, framed with non-glare glass "Cowper Stove Detail", photographed by Doug Fidoten in 2019 18" X 26...

LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 15) 30 x 40 inches (Edition of 15) 40 x 53 inches (Edition of 15) This artwork is offered by ClampArt...

27"x40" unframed signed on reverse Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of contin...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

Rabbits 2009 Signed and numbered, verso Archival pigment print 8 x 10 inches, sheet (Edition of 15) $1050.00 This work is offered by ClampArt in New York City.

Archival pigment print Signed and numbered, verso 30 x 40 inches 40 x 53 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Archival pigment print Signed and numbered, verso 30 x 36 inches 40 x 48 inches 48 x 60 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Archival pigment print Signed and numbered, verso 30 x 50 inches 40 x 67 inches 48 x 80.5 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City...

Artist: Matthew Pillsbury Title: Hordes, La Galerie d'Anatomie Comparée, Musée d'Histoire Naturelle Medium: Pigment Ink Print, signed, titled, and d...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...

Rebecca Skinner’s “Carts” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photograph, with ric...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

Unsigned.

27 × 40 in available unframed Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing controversy. It was once the biggest...