Flower Still-life Photography

Flower Photogram 5, circa 1900 Cyanotype Print 8.5" x 10", Mat 16”x20”

Peony, c. 1880's Vintage Hand Colored Albumen Print Paper is 11 5/8 x 9 1/2 inches, Matted to 20 x 16 inches

Vintage Hand Colored Albumen Print Paper is 11 1/2 x 9 1/4 inches, Matted to 20 x 16 inches

Signed by the photographer Edition 9/10

Paul Caponigro, Dried Sunflower, Winthrop MA, 1965. 10 x 8". Vintage gelatin silver print. Signed mount recto.

PAUL CAPONIGRO, Bell Pepper Cross Section, Winthrop, MA. 1964. Vintage Polaroid, Type 53. Unique one-of-a-kind positive print. edition 1/1.

PAUL CAPONIGRO, Dried Sunflower, Winthrop MA. 1965. Vintage Polaroid, Type 53. Unique one-of-a-kind positive print. edition 1/1.

PAUL CAPONIGRO, Sunflower Center, Winthrop, MA, 1965. Vintage Polaroid, Type 53. Unique one-of-a-kind positive print. edition 1/1.

Photographer’s stamp on the verso

Signed by the photographer

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "Queen" featuring a red rose, paint, a cameo portrait locket, makeup, a chess piece, a pocket watch and a red lucite dice piece . Audrey L. Flack (born May 30, 1931 in New York City, New York) is an American artist. Her work pioneered the art genre of photorealism; her work encompasses painting, sculpture, and photography. From Audrey Flack: 12 Photographs 1973 to 1983. A set of this portfolio is in the collections of the Harvard Art Museums. The Kodakchrome photos were photgraphed with a NIkon camera, the Ektachrome photographs were taken with a Hasselblad camera. Each negative was printed on a 20 X24 inche fiber based paper, dry mounted wth seal MT5 dry mounting tissue to 4 ply 100% cotton fiber board by Arnon Ben-David and Ari Rivera Gonzales under the supervision of Carol Brower. Flack has numerous academic degrees, including both a graduate and an honorary doctorate degree from Cooper Union in New York City. Additionally she has a bachelor's degree in Fine Arts from Yale University and attended New York University Institute of Fine Arts where she studied art history. In May 2015, Flack received an honorary Doctor of Fine Arts degree from Clark University, where she also gave a commencement address. Flack's work is displayed in several major museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum. Flack's photorealist paintings were the first such paintings to be purchased for the Museum of Modern Art’s permanent collection, and her legacy as a photorealist lives on to influence many American and International artists today. J. B. Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack’s pioneering efforts into the world of photorealism popularized the genre to the extent that it remains today. Flack attended New York's High School of Music & Art. She studied fine arts in New York from 1948 to 1953, studying under Josef Albers among others. She earned a graduate degree and received an honorary doctorate from Cooper Union in New York City, and a Bachelor of Fine Arts from Yale University. She studied art history at the Institute of Fine Arts, New York University. 1953 New York University Institute of Fine Arts, New York City 1952 BFA, Yale University, New Haven, Connecticut 1948-51 Cooper Union, New York City Career Flack's early work in the 1950s was abstract expressionist; one such painting paid tribute to Franz Kline. Most influential amongst her early supporters was the Bauhaus artist Josef Albers. It was he who persuaded Flack to take up a scholarship at Yale with the mission of shaking up the institution's stuffy academic reputation. The ironic kitsch themes in her early work influenced Jeff Koons. But gradually, Flack became a New Realist and then evolved into photorealism during the 1960s. Her move to the photorealist style was in part because she wanted her art to communicate to the viewer. She was the first photorealist painter to be added to the collection of the Museum of Modern Art in 1966. Between 1976 and 1978 she painted her Vanitas series, including the piece Marilyn. The critic Graham Thompson wrote, "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism, radical realism, or hyper-realism and painters like Richard Estes, Chuck Close, and Audrey Flack as well, often worked from photographic stills to create paintings that appeared to be photographs." In the early 1980s Flack's artistic medium shifted from painting to sculpture. She describes this shift as a desire for "something solid, real, tangible. Something to hold and to hold on to." Flack discusses the fact that she is self-taught in sculpture. She incorporates religion and mythology into her sculpture rather than the historical or everyday subjects of her paintings. Her sculptures often demonstrate a connection to the female form, including a series of diverse, heroic women and goddess figures. These depictions of women differ from those of traditional femininity, but rather are athletic, older, and strong. As Flack describes them: "they are real yet idealized... the 'goddesses in everywoman.'" Flack has claimed to have found the photorealist movement too restricting, and now gains much of her inspiration from Baroque art. Flack is currently represented by the Louis K. Meisel Gallery and Hollis Taggart Galleries. Her work is held in the collections of museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Allen Memorial Art Museum, and the National Gallery of Australia in Canberra, Australia. She was awarded the St. Gaudens Medal from Cooper Union, and the honorary Albert Dome professorship from Bridgeport University. She is an honorary professor at George Washington University, is currently a visiting professor at the University of Pennsylvania and has taught and lectured extensively both nationally, and internationally. Flack lives and works in New York City and Long Island. Audrey Flack is best known for her photo-realist paintings and was one of the first artists to use photographs as the basis for painting. The genre, taking its cues from Pop Art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. Flack's work brings in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit. These inanimate objects often disturb or crowd the pictorial space, which are often composed as table-top still lives. Flack often brings in actual accounts of history into her photorealist paintings, such as World War II' (Vanitas) and Kennedy Motorcade. Women were frequently the subject of her photo realist paintings. In her Neoclassical public sculpture of gilded bronze...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "In My Life" featuring flowers, a lit candle, dice, an Oriental rug, music notes. a pocket watch and a small porcelain box...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Voyage Pittoresque #7 - Ruud van Empel (Colour Photography) Signed and numbered on photographer's edition label on reverse Archival pigment print Available in two sizes: 30 3/4 x ...

Title: Untitled Medium: Photograph on paper Date: 2017 Dimensions: Multiple Sizes Available (please inquire within) - Multiple Sizes Available - Multiple Paper Choices Available - Framing Available Born in 1988 in Cordoba, Argentina. Pablo Saccinto attended the National University of Cinema and Television in Córdoba, Argentina and since 2010 is part of an amazing and talented group of skaters for a “Disney On Ice...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

From the series Blow Up

Cyanotype (Edition of 12) Signed, titled, dated, and numbered on label, verso This artwork is offered by ClampArt, located in New York City. John Dugdale has received world acclaim...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. This beautiful closeup of a Dahlia in purple and green is part of the 'Botanica'-Series. Howard Schatz spent several years photographing flowers, developing a specific love for Dahlias. The images he created are surreal in their richness of color and detail. 'Dahlia #2' is straightforward yet entrancing - It is a closeup of a Dahlia's flower bud, so detailed even the veins in the flower's petals are visible. The rhythmic arrangement of the pointed petals creates a kaleidoscopic image. The colouring in deep blue, light purple and neon green adds a surreal tpuch. Opulent flower crowns, intertwined bodies, and decadent dinners hosted in underwater worlds – Howard Schatz’s imagery is marked by grandeur and abundance. Transgressing genres and motives, Schatz approaches portraits, nature photography, and the moving body in all its forms with an outburst of passion and energy. Liquid colors, extravagant perspectives, and daring details surprise the onlooker at every corner. Succulent vegetation and airy fabrics bleed into magical compositions. Howard Schatz is an award-winning photographer living in New York City and widely exhibited worldwide. With twenty books of photographs to his credit, Schatz's wide-ranging artistic oeuvre includes studies of actors, dancers, athletes, portraiture, and a world of underwater imagery. His photographs have appeared in countless magazines around the globe, including a running series in Vanity Fair, along with the covers of TIME, Sports Illustrated, US News...

Paper 20 x 16 inches; Image 13 1/2 x 11 1/4 inches Signed, titled, & dated in pencil with artist's stamp on print verso Horst began his photography career in 1931 working for Paris Vogue. Shortly after he succeeded his friend and mentor, George Hoyningen-Huene, as head photographer of Vogue's photo studios. It was during the 1930's that Horst established his trademark style, which incorporated dramatic lighting and an unparalleled eye for grace that enabled Horst to create images that portray his subjects as emblems of elegance. 
For sixty years, Horst photographed...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

This piece may be available in a couple of different sizes (30 x 40 and 48 x 60 inches). Availability subject to change so please contact the gallery. Carol Henry...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Listing is for FRAMED print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December ...

Cibachrome print. Please contact the gallery for available size and pricing as they are subject to change.

Cibachrome Print. Carol Henry is a darkroom artist that has spent decades making unique prints on Cibachrome paper without a camera and film. She has been ...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Signed and numbered on the front of the print. Edition of 25. Available in two sizes (16 x 20 inches and 20 x 30 inches approximately) so please contact the gallery for information a...

Means of Reproduction Means of Reproduction is a photography project that explores the transformative power of seeds. I portray these microcosms as large and mysterious presences,...

Means of Reproduction Means of Reproduction is a photography project that explores the transformative power of seeds. I portray these microcosms as large and mysterious presences,...

Means of Reproduction Means of Reproduction is a photography project that explores the transformative power of seeds. I portray these microcosms as large and mysterious presences,...

The images are created rather than found. There is a rearrangement of the sequence of events that leads to the existence of the image. The emotion (the looking in) is identified init...