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Theo Ellison
Entombment

2017

About the Item

27. Theo Ellison (b. 1990) Entombment, 2017 C-type lambda print on paper Edition 1 of 5 Signed, titled, dated and numbered verso 78 x 120 cm. (within frame) Provenance: Theo Ellison; Permanent Collection, Saatchi Gallery; Private Collection, United Kingdom. Exhibition history: Known Unknowns, Saatchi Gallery, 2018; Five Years On, Birmingham Museum & Art Gallery, Birmingham, 2018; Art on a Postcard, Photo London Fair, London, 2018; Solo exhibition, MOCA, London, online only, 2020. Literature: Saatchi Gallery, Known Unknowns (London: Saatchi Gallery, 2018), pp. 134-5 Selected media: The London Magazine; Cultural Institute of Radical Contemporary Arts; Royal College of Art; Source Magazine, 2017. The National, 2 May 2018; Creative Boom, 18 May 2018; Floorr magazine, 10 July 2018; 11 February 2020. The subtleties of Ellison’s informed image-making approach permeate Entombment with delicate intensity. Ellison infuses the familiar domestic rock dove with a masterly pathos, rendering the animal supine, its lifeless claws curled poignantly at the central point of the composition. Characteristic of Ellison’s experimentation with symbolistic absurdity, the common pigeon is memorialised with remarkable detail within the figural ‘tomb’ of the photograph. This uncanny approach identifies a beauty within the banal, and imbues the totality of death with an additional, elegantly expressed meaning. The work formerly belonged to the permanent collection of the Saatchi Gallery, London, and formed a central component of the Saatchi 2018 exhibition, Known Unknowns. It comes recently from the private collection of a leading British collector of contemporary art. Entombment examines the fundamentals of death with a complicating voyeurism, testing the boundaries of artistic conventions and the creation and interpretation of imagery. High and low cultures are amalgamated as one, as Ellison elevates the end of the creature’s life to a moment of universal profundity. Indeed, the profile elevation of the body borrows from a long tradition, familiar of Hans Holbein’s The Body of the Dead Christ in the Tomb (1520-22), and touches on the famed melancholy of Henry Wallis’ Chatterton (1856). Ellison applies the usual tenderness and consideration associated with human grief to an animal which typifies urban mundanity, redressing a certain vanity within the human condition. The viewer is subsumed by a monochromatic aura of blues and purple, and disarmed by a deep temporal ambiguity, as the motion of the composition is arrested by the central, lifeless subject. Such is the symbolic relevance of the work that it received considerable media attention as part of the Saatchi exhibition. One contemporaneous review provides a particularly expressive assessment: ‘Ellison takes the London pigeon and “attempts to deify it or sanctify it” deliberately depicting it supine, with its eyes closed, so for the viewer it always “oscillates between sleep and death without resolution”. […] Asleep or dead you feel as though you have come to it accidentally, as though you shouldn’t be looking’ (Bryan). Theo Ellison is a London-based artist known for his distinctive experimentation with romantic and absurd imagery, often exploring the relationship between nature and artifice, pathos and humour. Ellison graduated with a Master’s degree in photography from the Royal College of Art in 2017, and is presently based at The Bomb Factory Art Foundation in Archway. Ellison has more recently progressed towards video-based installations and text, including CGI and moving image projects designed to examine the behaviour of art and creation. Ellison has exhibited at the Saatchi Gallery, Cambridge University, Birmingham Museum & Art Gallery, and Quad Gallery. His residencies include the Zabludowicz Collection Master Class, Florence Trust Studio Residency, and the National Trust artist-in-residence programme (Coughton Court). Bibliography and further reading: Bryan, Alexander Douglas, ‘Review: Known Unknowns at the Saatchi Gallery’, The London Magazine, 2017
  • Creator:
    Theo Ellison (1990, British)
  • Creation Year:
    2017
  • Dimensions:
    Height: 30.71 in (78 cm)Width: 42.13 in (107 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The work is in excellent and stable condition. Some light markings to the frame commensurate with an exhibited artwork.
  • Gallery Location:
    Maidenhead, GB
  • Reference Number:
    Seller: Theo Ellison1stDibs: LU2820215585612

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