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Suzanne MoxhayRockery by Suzanne Moxhay, Limited Edition, Poetic Scene, Nature in Architecture2019
2019
$1,304.35
£980.27
€1,100
CA$1,826.67
A$2,003.30
CHF 1,037.91
MX$24,071.19
NOK 13,065.44
SEK 12,262.29
DKK 8,382.38
About the Item
Subject / Title : Rockery (Title). A photographic process of complex montages inspired by Matt painting, a cinematic process for creating visual effects. The artist harmoniously combines images and fragments from different sources to create intriguing representations of empty or abundant interior and exterior spaces.
In Rockery, Suzanne Moxhay creates a scene where nature quietly reclaims an abandoned architectural space. Blending realism and imagination, the British artist constructs suspended worlds in which vegetation gently seeps through stone and light. Through a meticulous process of photographic collage and digital manipulation, Moxhay builds images that hover between painting and photography, illusion and memory.
The work reflects the silent transformation of deserted places, highlighting the regenerative power of nature against the decay of human structures. Every detail—the texture of the walls, the light on the steps, the plants emerging from the floor—draws the viewer into the delicate boundary between ruin and rebirth.
Work : Original limited Edition Print of 10. The Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged in a large Tube.
Medium : Archival Pigment Ink Print on finest archival Hahnemühle Photo Rag paper
Artist : Suzanne Moxhay
Signature : The work is signed and numbered at the bottom of the image. It will be supplied with a certificate of authenticity from the artist.
Size of the print : H 39 x W 33.46 inches - H 99.5 x W 85 cm (Image with white borders).
Image : H 33 x W 27.56 inches - H 84.5 x W 70 cm
___
The British artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. Suzanne Moxhay’s dystopian photomontages play with notions of truth, creating spaces where fiction and fact converge.
"I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset."
At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.
In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction.
She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show.
- Creator:Suzanne Moxhay (1976, British)
- Creation Year:2019
- Dimensions:Height: 39.18 in (99.5 cm)Width: 33.47 in (85 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:AIX-EN-PROVENCE, FR
- Reference Number:1stDibs: LU1826217037872
The London-based artist Suzanne Moxhay, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.
In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction. "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." 'Moxhay (b.1976, Essex) lives and works in London. After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show.
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