Tightrope Ladies
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 10
WeegeeTightrope Ladies1950
1950
About the Item
- Creator:Weegee (1899-1968, American)
- Creation Year:1950
- Dimensions:Height: 9.5 in (24.13 cm)Diameter: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Good condition Detailed condition report by request Comes with a certificate of authenticity. Stamped verso: Photography by Weegee, from the collection of Suzanne and Hugh Johnston.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 9-211stDibs: LU21528802201
Weegee
Arthur Fellig, who later assumed the pseudonym Weegee, was a photographer and photojournalist, best known for his gritty black-and-white imagery taken on the streets of New York City. Born in 1899 in what is now the Ukraine, he arrived in the United States with his family in 1909, and settled in Brooklyn. After working in a variety of photography-related jobs, he struck out on his own at the age of 35 as a self-taught freelance photographer, selling his work to publications like the Herald Tribune, the Daily News, the Post, and the Sun. Weegee worked mostly at night, usually around Manhattan Police Headquarters. He was the only freelancer in New York to obtain permission to install a police radio in his car. As a result, he was often the first to arrive at the scene of the many crimes he photographed, often before the police themselves had responded. Moreover, he traveled with a makeshift darkroom in the trunk of his car, so he could produce, and then sell, his images faster than his competitors. But crime was not his only subject. He also photographed socialites at high-society events, circus performers, street life, tenement housing conditions, and many other facets of New York life. For a number of years he traveled extensively in Europe, and worked for the London Daily Mirror. He later returned to New York City, where he died in 1968. Th Museum of Modern Art began collecting his work in 1943, and featured it in several exhibitions. His work was also shown at the New York Photo League, and the International Center of Photography hosted a retrospective of his work in 1998. He has been featured in exhibitions at European venues such as the Kunsthalle Vienna, Austria's Flatz Museum, and the Multimedia Art Museum in Moscow. Several monographs of his work have been published.
About the Seller
4.8
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2009
1stDibs seller since 2015
176 sales on 1stDibs
More From This SellerView All
- Waterski JumperBy WeegeeLocated in Toronto, OntarioArthur Felling, better known as Weegee (1899-1968) is America's premiere photojournalist and one of the last century's most influential photographers. He would become famous, beyond...Category
1950s American Modern Black and White Photography
MaterialsSilver Gelatin
- Weegee "Sailor and Girl Kissing"By WeegeeLocated in Toronto, OntarioWeegee (1899-1968) was equally fascinated and inspired by cinema and all of its tangents, from Hollywood movie stars to ordinary civilians going to the movies. While Weegee is typically associated with crime/disaster images, the broad theme of "entertainment" is a major component of his oeuvre. An interesting and provocative sub-genre of his cinema-related work are his images of couples (often heavy-petting) in movie theatres. Recent scholarship has established that many of Weegee's supposed clandestine images were actually staged or arranged with friends or co-operative strangers. Nevertheless, Weegee created these photographs in the dark with an array of clever techniques including infrared film, filtered flashbulb and triangular prism lens. Employed in shots such as this one, the prism lens would allow the artist to “see around corners,” useful at times when his subjects were in compromising locations. These images of kissing couples, Weegee wrote in 1959, were “his best seller, year in and year out.” "Sailor and GIrl at the Movies...Category
1940s American Modern Black and White Photography
MaterialsSilver Gelatin
- Weegee "Distortion: Stripes"By WeegeeLocated in Toronto, OntarioInnovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...Category
1940s American Modern Black and White Photography
MaterialsSilver Gelatin
$3,000 Sale Price58% Off - Groom Kissing His BrideBy Diane ArbusLocated in Toronto, OntarioDiane Arbus (1923-1971) is one of the most influential and daring photographers of the 20th century. Arbus is best known for her unique form of documentary portraiture. She explored the uncanny, the marginalized, and the idiosyncratic characters who defied mid-century conformity. Her work has influenced some of the most renowned photographers of our time including Nan Goldin. While her career launched in the fashion world, it was years after quitting commercial photography (circa 1956) that she found her voice as an artist. With camera in hand, she followed her fascination with the eccentric individuals and oddities of New York City. Ultimately rejecting her affluent, sheltered upbringing and the mainstream fashion industry to create her own definitions of beauty. Arbus’ portraits were considered incredibly provocative for their bold representations of sexuality, chaos, and grit. She fully immersed herself within the queer and alternative communities she documented, engaged with a curious balance of mystery and homage. Shot in 1966, "Groom Kissing His Bride" is a prime example of her uncanny ability to capture even the most traditional moments (a wedding) through a lens of surrealism. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York. Today, Arbus' work is celebrated in many major museum collections including the Art Gallery of Ontario, Art Institute of Chicago, National Museum of Modern Art (Tokyo), and Centre Pompidou (Paris). "Groom Kissing his Bride, NYC" USA, 1966 Gelatin-silver print Printed by Neil Selkirk Stamped 'A Diane Arbus photograph...Category
1960s American Modern Black and White Photography
MaterialsSilver Gelatin
- GardeniaBy Robert MapplethorpeLocated in Toronto, OntarioRobert Mapplethorpe earned his place in the canon from his incredible output of images that ranged from beautiful to brutal. Mapplethorpe was one of the key artists who helped elevate photography from image-making to fine art. Mapplethorpe (1946-1989) fearlessly depicted the body (his own, friends' and lovers') in a way that positioned his work in line with masters such as Reubens, Courbet and Eadweard Muybridge to mention a few. Despite the sometimes shocking content of his work, Mapplethorpe's photographs possess a formalist quality with their undeniable beauty and strict compositions. From 1978-1981, Mapplethorpe created thirty-nine black and white photographs that make up his acclaimed XYZ Portfolios. While each portfolio is a distinct exploration of Mapplethorpe's signature subject matter, when combined, XYZ Portfolios serves as a definitive and in-depth representation of his mature and most sought-after, period. (Of the portfolios, X explores homosexuality and sadomasochism; Y features floral still life; while Z showcases portraits of Black men) Click here to see a portrait from the Z portfolio. In 2012, the XYZ Portfolios were shown in an exhibition at LACMA and presented in three rows (X on top, followed by Y in the middle, and Z below) as Mapplethorpe had envisioned them in 1989. "Gardenia" is one of thirteen images from the Y Portfolio, featuring a fragrant and graphic flower. Shot overhead, this tranquil image captures a delicate flower subtly floating in a dark, contrasting bowl. Aside from the flower's shadow below, the still water is nearly inconspicuous, contributing to the air of grace and elegance that this piece evokes. While the depiction is straightforward, Mapplethorpe's contrasts lead to a more ambiguous image; is this actually a flower or some alien specimen being examined? This powerful black and white image is a prime example of Mapplethorpe's work, highlighting his studio-centric practice as well as his refined and meticulous printing. This is a rare opportunity to acquire an iconic work by one of the most influential photographers of the 20th Century. Caviar20 is proud to be offering this monumental and important piece. "Gardenia" USA, 1978 Gelatin silver print Signed in ink by Michael Ward Stout and credited and dated on photographer's estate stamp, mount verso. 13.25"H 12.75"W (image) 16.75"H 16"W (framed) Very good condition Provenance: Xavier Hufkens...Category
1970s American Modern Black and White Photography
MaterialsSilver Gelatin
- Weegee "A Trip to Mars"By WeegeeLocated in Toronto, OntarioWhile many first associate Weegee (aka Arthur Fellig) with New York City crime scenes, perhaps a broader and more consistent theme is that of spectacle and/or urban entertainment. The origins of his nick-name and reputation date back to the 1930s when he became the first New York City press photographer to obtain permission to install a police radio in his car. Following the city's first responders and documenting their duties, Weegee had unprecedented access to New York’s fires, crimes, debaucheries and of course, murders. During the first decade of his career these unflinching urban tragedy or crime images paid Weegee's bills, but as he became more financially independent he was more inspired to pursue photographs on his own agenda. While his oeuvre is vast, Weegee was especially drawn to entertainment: nightlife, circuses, the theatre, showgirls, city thrills, the cinema etc. Some of Weegee's most dynamic and tender (and under-appreciated!) images are related to simply having fun (in a crowd). He was not confined to one neighbourhood or demographic. He captured action, faces and events from Coney Island to the Bowery and Greenwich Village, to Times Square and Harlem. In “A Trip To Mars,” Weegee depicts a multi-generational group crowding around a large telescope...Category
1940s American Modern Black and White Photography
MaterialsSilver Gelatin
You May Also Like
- George Tooker, Paul Cadmus, Monroe Wheeler, and George Platt Lynes on a BeachLocated in London, GBSilver gelatin print, with numeric notation and stamp of collection of Jon Anderson (verso), 12cm x 18cm (41cm x 44cm framed). Jon Anderson was Paul Cadmus' partner of 35 years. The picture depicts the artists Paul Cadmus and George Tooker, the photographer, George Platt Lynes, and publisher, Monroe Wheeler. The painter Paul Cadmus (1904 - 1999) and married artists Jared (1902 - 1989) and Margaret French (1906 - 1998) comprise the photographic collaborative known by their acronym, PaJaMa. Beginning in 1937, and over the course of nearly two decades, the trio collectively staged photographs set against the backdrops of Fire Island, Provincetown, and Nantucket, among other locations. Their psychologically and sexually charged images often served as studies for the artists' subsequent paintings and works on paper. The statuesque quality of the figures and the stillness of each scenario are key characteristics of PaJaMa’s photographs...Category
1940s American Modern Figurative Photography
MaterialsSilver Gelatin
- Mel FelliniBy George Platt LynesLocated in London, GBSilver gelatin print, studio stamp (verso), 20cm x 23cm, (45cm x 46cm framed). The photographed behind museum quality, UV and non-reflective glass. A titan of American 20th century photography, Platt Lynes took his first photographs as a young artist living in New York and Paris in the 1920s. He maintained an interest in the male figure throughout his career and was part of a close-knit group of artists, including Paul Cadmus, Jared French, Margaret French...Category
1950s American Modern Nude Photography
MaterialsSilver Gelatin
- "Natalia Makarova " vintage photography. "Serge Lifar "Located in CANNES, FR"Natalia Makarova " is an gelatin print , silver bromide, numbered and signed photograph offered to " serge Lifar " by Max Waldman . Artist proof . Ser...Category
1970s American Modern Black and White Photography
MaterialsSilver Gelatin
$4,841 Sale Price41% Off - Marilyn Monroe, Glass Balanced on Left KneeBy Milton GreeneLocated in Fairlawn, OHFrom: The Black Sitting, 1956 Original silver print photograph taken the the photographers studio in New York in 1956. Hand signed in ink within the photographers stamp verso. Pri...Category
1950s American Modern Figurative Photography
MaterialsSilver Gelatin
- Dante's View, Death ValleyBy Edward WestonLocated in Fairlawn, OHDante's View, Death Valley Gelatin silver print, 1938 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-19...Category
1930s American Modern Landscape Photography
MaterialsSilver Gelatin
- New York #121By Jed FieldingLocated in Fairlawn, OHNew York #121 Silver Gelatin print, 1980 Signed in ink below the image (see photo) Annotated verso in pencil: "New York #121 ©, New York, 1980" (see photo) Provenance: Reader's Digest Association Collection #23214 (label) Condition: Excellent Image size: 12-5/8 x 18-3/4" (32 x 47.6 cm.) Mat size: 19-1/2 x 25-1/2" Photographs by Fielding are in the collections of: Museum of Modern Art Brooklyn Museum International Center of Photography (New York) Museum of Contemporary Photography (Chicago) Art Institute of Chicago Walker Art Center (Minneapolis) Center for Creative Photography (Tucson) Fielding was born in Boston, Massachusetts. He attended the Rhode Island School of Design, where he studied with photographers Aaron Siskind and Harry Callahan; he received his BFA in 1975. He received his MFA in 1980 from the School of the Art Institute of Chicago, where he studied with photographer Kenneth Josephson. He has photographed in such countries as Italy, Peru, Spain, Greece, Egypt, Mexico, Portugal and the United States. His work has particularly concentrated on the Italian cities of Rome and Naples, as well as Mexico City. Of Fielding's City of Secrets, critic Vince Aletti wrote: [Naples'] citizens, from wiseass kids in diapers to weathered old men, loom into the frame like characters out of Fellini, bursting with antic, earthy energy. Fielding confronts and embraces his subjects, building up a portrait of a place that's as visceral as it is cinematic--a true theatre of the streets. Photography curator and collector W. M. Hunt wrote about the book: Jed Fielding is from the old school: a photographer with vision and technique. I've been to Naples twice in my lifetime; once by ship, and, even more lastingly, through Jed Fielding's astonishing images. At the time of a 2009 New York City exhibition of Fielding's photographs from Look at me, a New Yorker review[who?] said: Fielding's photographs of the blind children he met at schools in Mexico City are not in the tradition of photojournalistic muckraking. Like his terrific earlier series from the streets of Naples, these images are vivacious, audacious, and in your face. His subjects are not pitiable victims; they're rambunctious, apparently happy kids at play, responding to Fielding's attention with curiosity and delight. They may be cut off from the visual world, but they relish physical contact, both with one another and with the patient photographer. The best of the work was made at close range, where that connection was most tangible, and young faces fill the frames with fragile, vivid life. He has had solo exhibitions at venues including the Andrea Meislin Gallery...Category
1980s American Modern Figurative Photography
MaterialsSilver Gelatin
Recently Viewed
View AllMore Ways To Browse
Uwe Ommer Istanbul
Vanessa Prager
Virgin Suicides
Wang Qingsong
Wedgwood Oberon
Wolfram Ruoff On Sale
Aha Moment
Allyson Monson Overlapped Wings
Aswann Johnson On Sale
Dina Jacqueline
Emma Summerton On Sale
Haris Nukem
Humberto Vidal
John Duckworth Broad Creek
Jon Setter
Karla Voleau
Kimerlee Curyl On Sale
Lucas Murnaghan