Zack Seckler

Wild Coast III

2016

Nigardsbreen, Plate 1, Norway 2011 Archival pigment print 53 x 41.5 inches (134.6 x 107.3 cm) $9,000 This work is offered by CLAMP in New York City.

Wisteria 2021 Signed and numbered, verso Archival pigment print 24 x 18 inches (Edition of 10 + 3 APs) $4,600 40 x 30 inches (Edition of 5 + 2 APs) $8,200 This work is offered b...

2007 Signed, titled, dated, and numbered, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $3500.00 17 x 11 inches, sheet (Edition of 15) $1200.00 Please no...

Carmine 2011 Signed, titled, dated, and numbered, verso Archival pigment print 38 x 27 inches (Edition of 9) $2800.00 22 x 17 inches (Edition of 15) $1400.00 Please note that pri...

Coming to Town 2008 Signed, titled, dated, and numbered, verso Archival pigment print 32 x 44 inches, sheet (Edition of 9) $2800.00 17 x 22 inches, sheet (Edition of 15) $1400.00...

Where Stella Lives 2007 Signed, titled, numbered, and dated, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $1,400.00 17 x 11 inches, sheet (Edition of 15) $9...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

After coal is burned in a fossil fuel power plant, the remains are pumped through pipelines into huge ponds. The ponds are used as a landfill to prevent the release of ash into the a...

Black and White Fine Art Panorama Photography. Row of cherry trees in the field on a foggy morning. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by ar...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 5. All Gerald Berghammer prints are made to order in limited editions on Ha...

Archival Pigment Print The landscape shows traces of a famous early-October blizzard that killed tens of thousands of cattle. Still in their unprotected summer pastures, they ended ...