Adrien-Jacques Garcelon

Inspirations, Plate 14

1930

This plate is from " Formes et couleurs: vingt planches en couleurs contenant soixante-sept motifs decoratifs" published by A. Levy, Librarie Centrale des Beaux-Arts. An album of si...

Clare Halifax C is for Camel Limited Edition 3 Colour Silkscreen Print Edition of 100 Image Size: H 35cm x W 35cm Sheet Size: H 37cm x W 38cm x D 0.1cm Sold Unframed (Please note tha...

GEORGE SHERINGHAM (1884-1937) The Wave Signed and numbered 2 Stencil print with 9 plates, designed and cut by the artist, fan shaped 23 by 42 cm., 9 by 16 ½ in. (frame size 37.5 by 22 cm., 14 ¾ by 8 ¾ in.) Sheringham was born in London and studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris where he held his first one-man exhibition in 1905. On his return to London he initially supported himself with poster designs and teaching. His first exhibition of fan designs was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. He illustrated books by Max Beerbohm and Cyrus MacMillan. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

Vibrant archival ink print on Epson matte finished on canvas, artwork can be shipped in a tube or framed in a crate From a limited edition of 20 Sumit Mehndiratta is an Indian artis...

A rare and particularly contemporary-looking collection of forty pochoir-colored plates of decorative designs for fabrics and ceramics by the seminal Art Deco designer E.A. Seguy. L...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...