(after) Joan Miró

In the Garden under the Stars - Lithograph and stencil, 1958

1958

Arnulf RAINER (1929) Abstract : Informal Composition, 1986 Original vintage lithographic poster (Edited by Maeght-Long) Printed signature...

Joan Gardy Artigas Love Interest, c. 1977 Original Lithograph Handsigned Justified H.C (Hors Commerce) On Velum 75.5 x 35.5cm (c. 29.5x 13.6inch) Excellent Condition

Serge POLIAKOFF Abstract Composition, 1958 Original lithograph (Printed in Pons Workshop) On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1958 REFERENCES : Catalog ra...

Serge POLIAKOFF Abstract Composition, 1956 Lithograph and stencil (Jacomet Workshop) Printed signature in the plate On wove paper 31.5 x 24 cm (c. 12.2 x 9.4 in) Edition San Lazarr...

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...