Albert Gleizes

Mother and Child, 1934

1934

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled, 1988 Technique: Original Hand Signed and Inscribed Screenprint in colours on wove p...

MARK TOBEY 1890-1976 Centerville 1890 - 1976 Basel (American) Title: They’ve Come Back II, 1971/75 Technique: Original Hand Signed Etching and Aquatint in Colours on Thick Laid Pa...

ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Untitled No. 242, 1973 Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Wove Paper...

ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Untitled No. 127, 1960 Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Wove Paper...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Firewood, 1973 Technique: Original Hand Signed and Numbered Screenprint in Colours on Wove Pa...

CHU TEH-CHUN 1920-2014 (ZHU DEQUN) Xiao County, China 1920 – 2014 Paris (French / Chinese) Title: Appeasement Apaisement, 1997 Technique: Original Hand Signed and Numbered Lithogr...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...

Black and yellow, hand painted abstract work by Howard Hodgkin. A bright yellow calligraphy or graffiti-like mark is set against translucent grey. While most Hodgkin works are abstract, the artist usually includes observational gestures: for example, a room viewed from above becomes a grouping of soft shapes. Here, the fragmented corner of a wraparound porch is a yellow, calligraphic angle floating in shrouds of grey. Wide ribbons of velvety gouache wash over the incandescent shape’s border, with polite ink blots, frantic scribbles, and measured brushstrokes. These marks seem to set the yellow shape in place like a gem’s bezel...

Abstract, large scale red, orange, crimson, black, and pink scene with lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for display in m...

Striking watercolor, gouache and charcoal on heavy white wove paper by important female Czech-American Abstract Expressionist artist and sculptor, Ruth Francken...