Ansei Uchima Woodblock Print on Japanese Paper, Forest Byobu "Fragrance"
View Similar Items
1 of 11
Ansei UchimaAnsei Uchima Woodblock Print on Japanese Paper, Forest Byobu "Fragrance"1981
1981
About the Item
- Creator:Ansei Uchima (1921 - 2000, American, Japanese)
- Creation Year:1981
- Dimensions:Height: 38.5 in (97.79 cm)Width: 26 in (66.04 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Print in very good/excellent condition. Newly matted and framed under UV plexiglass. Gold finish wood frame with wear in lower RH corner.
- Gallery Location:Providence, RI
- Reference Number:1stDibs: LU136427876412
You May Also Like
- Landscape. 1983, paper, ink, 27x19 cmLocated in Riga, LVLandscape. 1983, paper, ink, 27x19 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947,...Category
1980s Abstract Landscape Prints
MaterialsPaper, Ink
- Stream 49, Forest, Stream, Dark Eggplant Purple, Light Blue, Pale LilacBy Eve StocktonLocated in Kent, CTThis is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...Category
2010s Abstract Landscape Prints
MaterialsInk, Archival Paper, Woodcut
- Stream 61, Forest, Stream, Light Teal Green, Yellow, Dark Eggplant PurpleBy Eve StocktonLocated in Kent, CTThis is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...Category
2010s Abstract Landscape Prints
MaterialsInk, Archival Paper, Woodcut
- Stream 60, Forest, Stream, Light Teal Green, Yellow, Dark Eggplant PurpleBy Eve StocktonLocated in Kent, CTThis is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...Category
2010s Abstract Landscape Prints
MaterialsInk, Archival Paper, Woodcut
- Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange AustraliaBy Mukesh SharmaLocated in Norfolk, GBThere is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...Category
Early 2000s Abstract Abstract Prints
MaterialsArchival Ink, Archival Paper, Linocut, Archival Pigment
- Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green AustraliaBy Mukesh SharmaLocated in Norfolk, GBThere is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...Category
Early 2000s Abstract Abstract Prints
MaterialsArchival Ink, Archival Paper, Linocut, Archival Pigment