Anthony Benjamin

Abstract Brian Eno A Benjamin Modern Edition Print 65 of 95 Blue Red 1970s

1972

Canton III Available both as a unique print or as part of the Triptych, Canton I, II & III. Edition 41/45 Made on Arches paper, 16 colour screen prints, signed and numbered by Anth...

Canton II Limited Edition, unframed silkscreen print Size unframed: 100cm x 80cm Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listin...

Canton I Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listing) Edition 41/45 Size 100cm x 80cm unframed Made on Arches paper, 16 co...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 20/25, 16"x16". Florence Arnold began painting seriously in 1947. By the la...

Florence Arnold (American 1900-1994) hard-edge abstract color square screenprint, pencil signed, and numbered 25/25 16"x16". Florence Arnold began painting seriously in 1947. By ...

Florence Arnold (American 1900-1994) hard-edge abstract color square Screenprint, pencil signed, dated, and numbered 14/25 Sized 16"x16". Florence Arnold began painting seriously...

Florence Arnold (American 1900-1994) hard-edge abstract color square screenprint, pencil signed, 16"x16". Florence Arnold began painting seriously in 1947. By the late 1950s she associated with a group of painters including Karl Benjamin, Paul Darrow, Doug McCleland, Frederick Hammersley...

Florence Arnold (American 1900-1994) Hard-edge Abstract Square Screenprint. Pencil Signed, Dated, and Numbered 18/25 Size: 16"x16". Florence Arnold began painting seriously in 194...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...