Antoni Tàpies

Suite Catalana, plate 1

1971

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, publis...

Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x...

Etching and relief, 1982, on white TGL handmade paper, signed and dated in pencil, lower right: F. Stella ‘82, numbered from the edition of 30, workshop number in pencil, verso, printed by published by Tyler Graphics, Ltd., Bedford Village, New York, with their blindstamp, 169.5 x 129.5 cm. (66¾ x 51 in.) Swan Engravings is one of Stella’s most extensive printmaking projects to date, including twenty-five prints published over a three year period. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The series was initiated by nine large-scale black and white intaglio...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

A very good impression of this color aquatint on Richard de Bas cream wove paper. Signed and numbered 23/96 in pencil by Tobey. Published by Edition de Beauclair, Frankfurt am Main.

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

A superb impression of this color aquatint and lift-ground etching on German Etching paper. Signed and numbered 22/50 in pencil by Motherwell. Printed by Catherine Mosley in the arti...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...