Want more images or videos?
Request additional images or videos from the seller
1 of 10
Berto LarderaAstres Egares (Lost Astral)1970
1970
About the Item
This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on Japan paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. Published by Les Bibliophiles de l'Union Francaise, printed by Wolfensberger, Zurich. The image size is 27.75 x 19.5 inches, sheet size is 30 x 22 inches. Hand signed in pencil by the artist on the colophon (not signed on the print) see pictures #6 and #7. A photocopy of the colophon will be provided to the buyer. From the suite "Astres Egares" It is in excellent condition, has never been framed.
About the artist:
Roberto Lardera (December 18, 1911 – February 23, 1989), informally known as Berto Lardera, was an Italian sculptor of the 20th century. He was born in La Spezia, Italy, the son of a naval engineer. He was self-taught and his leanings towards monumental, metallic sculptures may have been influenced by the sights he grew up with in the naval dockyards.
In 1947 Lardera moved to Paris, where he remained until his death in 1989. He exhibited at the Galerie Denise René and then at the Salon de Mai and the Salon des Réalités Nouvelles. Lardera's sculpture began with abstract metal structures based on two dimensions, or a flat geometrical plane, which challenged the conventional form of sculpture based around volume and enclosed spaces. Later his work became more diverse, with his geometrical constructions branching out into the horizontal as well as the vertical plane and often resulting in series based on a single theme, such as his Miracles, Aubes and Archanges series.
His sculptures are to be found the world over, in Europe, America and Japan. They show the use of a wide range of different metals, as well as different dimensions. Lardera did not produce many prints, but his interest in using different way and dimensions led to him making markedly "sculptural" prints. He used a unique technique, cutting forms and designs with his sculpting tools in thick iron plates from which the prints were pulled. He used no acid or chemical processes.
- Creator:
- Creation Year:1970
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1999
1stDibs seller since 2017
683 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Les Poetes, La PoesieBy Henry MooreLocated in San Francisco, CAArtist: Henry Moore (British, 1898-1986) Title: Les Poetes, La Poesie Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Paper size: 18...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Maravillas Con Variations Acrosticas en el Jardin de MiroBy Joan MiróLocated in San Francisco, CAArtist: Joan Miro (Spanish, 1893-1983) Title: Maravillas Con Variations Acrosticas en el Jardin de Miro Year: 1975 Medium: Color lithograph Edition: Unu...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Les Poetes, La Poesie, Front PageBy Henry MooreLocated in San Francisco, CAArtist: Henry Moore (British, 1898-1986) Title: Les Poetes, La Poesie, Front Page Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Paper...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Asbury Park IIBy Michael RubinLocated in San Francisco, CAThis artwork titled "Asbury Park II" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bor...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
- Asbury Park IVBy Michael RubinLocated in San Francisco, CAThis artwork titled "Asbury Park IV" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bor...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
- Asbury Park IIIBy Michael RubinLocated in San Francisco, CAThis artwork titled "Asbury Park III" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bo...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
You May Also Like
- Woman Circus Rider on Red Horse - superb Chagall posterBy Marc ChagallLocated in London, GBOriginal lithographic poster printed by L.R.B Permild and Rosengreen.Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- GeraniumLocated in Llanbrynmair, GB’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- PiscesLocated in Llanbrynmair, GB’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- ComplementariesLocated in Llanbrynmair, GB’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- FlyingLocated in Llanbrynmair, GB’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Minimum colour contrast with orangeLocated in Llanbrynmair, GB’Minimum colour contrast with orange’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 1/20 Signed - Yes Size - 790mm x 570mm Date -1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...Category
1970s Abstract Abstract Prints
MaterialsLithograph