Carlos Alberto Garcia

"Untitled" screenprint by Carlos Alberto Garcia from the "Kinderstern" portfolio

1989

"Untitled" collotype of abstract figures by artist Werner Berges from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money ...

"Untitled" serigraph of Native Americans and horse with attached color photo by artist Jean Le Gac from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise m...

"Untitled" screenprint and collage by artist Raymond E. Waydelich from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of childre...

"Untitled" screenprint by artist Jörg Immendorff from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house famil...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 10 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 18 Image Size: 21 x 29 inches Size: 27 x 37 in...

Spanish artist Antoni Clave (1913 – 2005) was a prolific printmaker and has had major shows in museums all over the world. This limited edition print is in very good condition. At on...

This original lithograph in colours is hand signed in pencil by the artist “Hernández-Pijuan” at the lower right margin. It is also dated “87” [1987], next to the signature It is also hand numbered in pencil from the edition of 100, in the lower left margin. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a Guarro watermark in the upper left corner. Note: The contributing artists were: Sergi Aguilar...

Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...