Cassie Normandy White

"transfigured from longing", Abstract, Collaged Monoprints, Ink, Botanicals

2023

This piece titled "who's there?" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measures 30"...

This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...

This piece titled "said the zinnia" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This diptych piece m...

This piece titled "the wind telling stories" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece ...

This piece titled "fortress of inseparability" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piec...

This piece titled "held like a dream" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measure...

"Ripple" (2021) by SarahGrace Oil and water-based ink relief print Ink on Paper Block Print, Hot Pink, Orange, Peach Color Gradient, Linework, Pattern W...

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered on the front in ink Published by Esther Gentle and 167 Gal...

"Replay 4" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Field Of Flowers #2" is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The print is professionally framed: floated on museum board in lacquered maple, with a...

"Old Glory" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a sanded acrylic plate with watercolor paints. The impervious surface of the plate allowed the paint to flow, pool, settle and dry in ways that are distinct from painting in an unmediated manner on paper. When dry, the plate was printed onto damp Hahnemühle Copperplate paper; the moisture in the paper reactivated the watercolor paint and the pressure exerted by the press transferred the image, resulting in a one-of-a-kind monotype print. In "Old Glory" Ledgerwood alludes to the American flag in its rectangular format and red, white and blue color scheme. The artist's signature, title and date are verso, in pencil, and the Manneken Press blindstamp is impressed into the lower left corner of the print. Since the 1980’s Judy Ledgerwood has been exploring light, color, and space in paintings that combine the formal vocabulary of concrete abstraction with influences from pop culture to create vividly colored compositions. She combines decorative patterning, elements of textile design and other traditionally female crafts, with bold color and assertive brush strokes, traits associated with the historically male-dominated tradition of gestural abstraction. Often using stereotypically “feminine” elements, such as pastel colors and stylized floral patterns, Ledgerwood merges formalist and feminist concerns in works that are both sensual and subversive, with the ability to resonate beyond their initial impact. Judy Ledgerwood has received awards from The Richard H. Driehaus Foundation, National Endowment for the Arts; and Illinois Art Council. Ledgerwood has also received an Artadia Award and a Tiffany Award...