Dado (Miodrag Djuric)

Herouval

1976

The Songs of the Blacks and the Blues. Original color lithograph, woodcut, gouache and oil-stick editions, 1996. Edition of 40 signed and numbered impressions on Arches paper. Louise...

Original color aquatint and etching, 1976. Edition of 75 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He ...

Tree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...

Original signed color poster lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter O...

Stars. Original color lithograph, 1975. Edition of 16 signed and numberes impressions on Arches paper. Metka Krašovec is one of the most important painters in contemporary Slovenian ...

Lavender. Original color mixed media, unknown year. Kosa Bokšan was a Serbian painter who lived in Paris. She was painting landscapes and portraits when she finished her studies at the Academy of Fine Arts in Belgrade, but when she moved to Paris her art became more abstract and approached to the informal. After that she had two phases – ‘The Paris School’ realism, so-called abstract naturalism and later when she was influenced by the Byzantine tradition, Bokšan transformed mythical symbols...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...

Black and yellow, hand painted abstract work by Howard Hodgkin. A bright yellow calligraphy or graffiti-like mark is set against translucent grey. While most Hodgkin works are abstract, the artist usually includes observational gestures: for example, a room viewed from above becomes a grouping of soft shapes. Here, the fragmented corner of a wraparound porch is a yellow, calligraphic angle floating in shrouds of grey. Wide ribbons of velvety gouache wash over the incandescent shape’s border, with polite ink blots, frantic scribbles, and measured brushstrokes. These marks seem to set the yellow shape in place like a gem’s bezel...

Abstract, large scale red, orange, crimson, black, and pink scene with lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for display in m...