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Damien Hirst4193. Mouths are planted (The Currency) 2016-2021, Limited edition, Enamel paint2021
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- Fruitful (Large) by Damien Hirst, Colourful, Giclée Print, Contemporary ArtBy Damien HirstLocated in Zug, CHThis vibrant work features abstract details from Damien Hirst's series of Cherry Blossom paintings and reinterprets the traditional subject of landscape painting. Fruitful (large) b...Category
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- Forever (small) - Contemporary art, 21st Century, YBAs, Colorful, Giclée PrintBy Damien HirstLocated in Zug, CHForever (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium compos...Category
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- Butterfly Heart (large) - Contemporary art, 21st Century, YBAs, Colorful, GicléeBy Damien HirstLocated in Zug, CHButterfly Heart (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminiu...Category
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- Fruitful (small) - Contemporary art, 21st Century, YBAs, Colorful, Giclée PrintBy Damien HirstLocated in Zug, CHFruitful (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium compo...Category
2010s Young British Artists (YBA) Abstract Prints
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- Butterfly Heart (large) - Contemporary art, 21st Century, YBAs, Colorful, GicléeBy Damien HirstLocated in Zug, CHButterfly Heart (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium composite panel Published by HENI Edition 560 of 1,698 (edition number might vary -several editions available for sale) Digitally signed and numbered on label on the verso (printed signature) In mint condition, as acquired from the publisher and in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. Butterfly Heart is the latest edition by the British artist, Damien Hirst. This edition consists of digitally made photographed real butterfly wings placed onto a heart-shaped aluminum panel. This edition includes Hirst´s best-known motifs; the butterflies, and the rainbow color alignment on the heart-shaped print. Shortly after graduating from Goldsmiths, in 1989, Hirst began working on a series of paintings after seeing flies get stuck on primed canvases in his Brixton studio. Taking this idea, but wanting to create something beautiful, Hirst started fixing the bodies of dead butterflies to monochrome gloss-painted canvases. The appeal of butterflies is created largely by the appearance of life they retain in death. Hirst has said, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.” The Butterfly works go hand-in-hand with the heart-shaped canvases. Soon after Hirst began working on his now-iconic series of butterfly paintings he shaped the canvas into a heart - the international symbol for love. DAMIEN HIRST The Turner prize winner and epicenter of the YBA movement. Hirst's emblematic art of our era revolutionizes the art market. Hirst is widely regarded as one of the most important artists working today, creating truly iconic artworks. A genuine star of the Young British Artists (YBA) movement, Damien Hirst has always made a point of mixing up different media. Whether as a sculptor, an installation artist, a painter, or a printmaker, Hirst has produced many of the most spectacular and widely discussed works in recent years and helped to revolutionize the art market. Damien Hirst’s, For the Love of God, the diamond-encrusted replica of the skull of a thirty-five-year-old man from the thirteenth century, broke all records to become the most expensive contemporary artwork in the world. Damien Hirst´s artworks are truly emblematic icons of our era, with their recurring motives such as dots, butterflies, cows, sharks, skulls, pills, and pharmacy cabinets. “I do believe art is more powerful than money, though. I still believe that. And if I ever find out money's more important, I'll knock it on the head.”—Damien Hirst His works, captivating and intense as they are, challenge our stereotyped concepts and beliefs. Damien Hirst’s shark...Category
2010s Young British Artists (YBA) Abstract Prints
MaterialsGiclée
- Butterfly Rainbow (small) - Contemporary art, 21st Century, YBAs, Color, PrintBy Damien HirstLocated in Zug, CHButterfly Rainbow (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on alumin...Category
2010s Young British Artists (YBA) Abstract Prints
MaterialsGiclée
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Frozen Sky, Night. Large Modern British Conceptual Screenprint Langlands & Bell
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Langlands & Bell are two artists who work collaboratively. Ben Langlands (born London 1955) and Nikki Bell (born London 1959), began collaborating in 1978, while studying Fine Art at Middlesex Polytechnic in North London, from 1977 to 1980.
Their artistic practice ranges from sculpture, film and video, to innovative digital media projects, and full-scale architecture. Their work focuses on the complex web of relationships linking people with architecture and the built environment, and on a wider global level, the coded systems of mass-communications and exchange we use to negotiate an increasingly fast-changing technological world.
In the mid-1980s, they became known for making monochromatic sculptures and reliefs, often in the form of furniture or architectural models, which employed an analytical and almost archeological approach to architecture and design typologies to explore human social interaction in terms ranging from the personal, to the socio-aesthetic, and socio-political.
Langlands & Bell have exhibited internationally throughout their career including in exhibitions at Tate Britain and Tate Modern, the Imperial War Museum, the Serpentine Gallery, and the Whitechapel Art Gallery in London, at IMMA, Dublin, Kunsthalle Bielefeld, Germany, MoMA, New York, the Central House of the Artist, Moscow, Venice Biennale, Seoul Biennale, and CCA Kitakyushu and TN Probe, Tokyo in Japan.
Their work was first purchased by Charles Saatchi in 1990 and 1991 from exhibitions at Maureen Paley Interim Art, London. It was subsequently exhibited in the first of the Young British Artists exhibitions at the Saatchi Collection, Boundary Road in 1992, and again in the 1997 Sensation exhibition at the Royal Academy in London. Sensation toured to the Hamburger Bahnhof, Berlin and the Brooklyn Museum, New York in 1998/99.
In 1996-1997, a major survey exhibition Langlands & Bell Works 1986–1996 co-curated by the Serpentine Gallery, London, and Kunsthalle Bielefeld, Germany also toured to Cantieri Culturali alla Zisa, Palermo, Italy, and Koldo Mitxelena, San Sebastián, Spain.
In 2002, Langlands & Bell were commissioned by the Art Commissions Committee of the Department of Art at the Imperial War Museum, London, to travel to Afghanistan to research "The Aftermath of September 11 and the War in Afghanistan".
In 2004, they won the BAFTA Award (British Academy of Film & Television Arts) for Interactive Arts Installation for The House of Osama bin Laden, the trilogy of art works resulting from their visit. In 2004 Langlands & Bell were also short-listed for the Turner Prize for the same work.
Artworks by Langlands & Bell are in the permanent collections of many prominent international art museums including the British Museum, Imperial War Museum, (Focusing on contemporary images of conflict, violence, war and peace, ‘Caught in the Crossfire’ drew from the permanent collection of the Herbert Art Gallery, including works by Banksy, Graham Sutherland, Langlands & Bell, Ori Gersht and Terry Atkinson...
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hand signed in pencil, stamped and numbered from edition of 33.
Sandy Kinnee is known for paper making, printmaking and collage.
Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement.
His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH
Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection.
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2019 Buell Theatre, Denver, CO
2019 McNichol’s Building, Denver, CO
2019 William Havu Gallery, Denver, CO
2017 Special Collections, Tutt Library, Colorado Springs, CO
2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ
1999 Art Selection, Zurich, Switzerland
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2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT.
2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO.
1999 Art Multiple, Dusseldorf, Germany
1999 SAGA/FICA Edition, Paris, France
1996 Kunstmessig, Olso, Norway
1994 Dresden Art Fair, Dresden, Germany
1993 Dusseldorf, Germany
1992 “Four Americans” Art Selection, Zurich, Switzerland
1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI
1989 Virginia Miller Galleries, Coral Gables, FL
1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA
1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN
1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA
1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX
1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA
1980 “Selected Prints”, Educational Testing Services, Princeton, NJ
1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF
1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY
1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY
1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA
1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution
1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC
1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA
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32 color screenprint on 100% rag handmade, shaped deckle edged paper.
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Sandy Kinnee is known for paper making, printmaking and collage.
Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement.
His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH
Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection.
Select Solo Exhibitions
2019 Buell Theatre, Denver, CO
2019 McNichol’s Building, Denver, CO
2019 William Havu Gallery, Denver, CO
2017 Special Collections, Tutt Library, Colorado Springs, CO
2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ
1999 Art Selection, Zurich, Switzerland
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2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT.
2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO.
1999 Art Multiple, Dusseldorf, Germany
1999 SAGA/FICA Edition, Paris, France
1996 Kunstmessig, Olso, Norway
1994 Dresden Art Fair, Dresden, Germany
1993 Dusseldorf, Germany
1992 “Four Americans” Art Selection, Zurich, Switzerland
1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI
1989 Virginia Miller Galleries, Coral Gables, FL
1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA
1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN
1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA
1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX
1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA
1980 “Selected Prints”, Educational Testing Services, Princeton, NJ
1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF
1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY
1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY
1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA
1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution
1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC
1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA
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