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Grace HartiganComposition, Salute, Grace Hartigan1960
1960
About the Item
Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under the supervision of Grace Hartigan, New York, Fall, 1960. Excerpted from the album, The edition of this album is limited to twenty-five reserved examples, I to XXV, and two hundred signed examples, 1 to 200. The paper was hand made by Hahnemühle in Western Germany. The type is Walbaum-Antiqua, hand set and printed by Brüder Hartmann in West Berlin. The prints were made directly on the screens by the artist at Tiber Press in New York City, where they were printed in the fall of 1960. The albums were bound by Russell-Rutter in New York.
GRACE HARTIGAN (1922-2008) was an American Abstract Expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock, Larry Rivers, Helen Frankenthaler, Willem and Elaine de Kooning and Frank O'Hara. Her paintings are held by numerous major institutions, including the Museum of Modern Art in New York City. As director of the Maryland Institute College of Art's Hoffberger School of Painting, she influenced numerous young artists.
- Creator:Grace Hartigan (1922-2008, American)
- Creation Year:1960
- Dimensions:Height: 17.625 in (44.77 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215087902
Grace Hartigan
Grace Hartigan (American, 1922–2008) Grace Hartigan’s work is defined by its bold color, gestural intensity, and a striking synthesis of abstraction and figuration. A central figure in the second generation of Abstract Expressionists, she embraced both spontaneity and structure, often incorporating imagery from contemporary culture, literature, and historical painting. Hartigan was among the few women to achieve prominence in the movement, exhibiting in the landmark Ninth Street Show and becoming the first woman to have a solo exhibition at the Museum of Modern Art. Later in her career, she moved to Baltimore, where she continued painting and teaching, leaving an indelible mark on the next generation of artists. Though her contributions were sometimes overlooked in her time, Hartigan’s fearless approach to modern painting remains a vital part of American art history.
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