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Katherine PorterAbstract Expressionist Watercolor Painting Woodblock Political Poster Mel King1983
1983
$400
£296.82
€345.75
CA$556.80
A$620.05
CHF 322.70
MX$7,645.14
NOK 4,109.86
SEK 3,862.87
DKK 2,579.72
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About the Item
This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design.
Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter)
Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis
Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein.
SELECTED SOLO EXHIBITIONS
Galerie Hubert Winter, Vienna, Austria
Victoria Munroe Fine Art, Boston, MA
Meridian Gallery, San Francisco, CA
Salander O’Reilly Gallery, New York, NY
Bowdoin College Museum of Art, Brunswick, ME
Andre Emmerich Gallery, New York, NY
Knoedler Gallery, London
Sidney Janis Gallery, New York, NY
Pace Gallery, Addison, ME
Dartmouth College, Hanover, NH (drawings)
Harcus Krakow Gallery, Boston, MA
SELECTED GROUP EXHIBITIONS
Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan
From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL
Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY
Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC
Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina,
Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal;
Pratt Manhattan Gallery, NY
Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT
Atelier Project, Neuberger Museum, SUNY Purchase, NY
Landscape Show, Allan Frumkin Gallery, NY
Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY
Group Show, Van Abbemuseum, Eindhoven, Holland
Contemporary Drawings, Museum of Modern Art, New York, NY
International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY
Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY
American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY
Contemporary Works on Paper, Frumkin-Adams Gallery, NY
Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY
The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY
Recent Acquisitions, Museum of Modern Art, New York, NY
Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY
Six Painters, The Hudson River Museum, Yonkers, NY
Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA
74th American Exhibition, The Art Institute of Chicago, Chicago, IL
Abstract Painting, Women’s Caucus, NY
Biennial, Whitney Museum of American Art, New York
Spoleto Choice, Spoleto Festival, Charleston, SC
From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA
Theodoran, Solomon R. Guggenheim Museum, New York, NY
Three If By Air, Obelisk Gallery, Boston, MA
Betty Parsons Collection, Finch College, New York, NY
SELECTED PUBLIC COLLECTIONS
Addison Gallery of American Art, Andover, MA
Albertina Museum, Vienna, Austria
California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA
Detroit Art Institute, Detroit, MI
Fogg Art Museum, Harvard University, Cambridge, MA
Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation)
Solomon R. Guggenheim Museum, New York, NY
High Museum of Art, Atlanta, GA
Houston Museum of Fine Art, Houston, TX
Massachusetts Institute of Technology, Cambridge, MA
Metropolitan Museum of Art, New York, NY
Mount Holyoke Art Museum, Mount Holyoke College, Mount Holyoke, MA
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
Philadelphia Museum of Art, Philadelphia, PA
San Francisco Museum of Art
Smith College Art Museum, Northampton, MA
Tel Aviv Museum, Jerusalem, Israel
Dorothy and Herbert Vogel Collection
Walker Art Museum, Minneapolis, MN
Mel King,
Melvin H. King (born 20 October 1928) is an American politician, community organizer, writer, and past Adjunct Professor at the Massachusetts Institute of Technology (MIT).
King has been active in creating community programs and institutions for low-income people in Boston and is the founder and current director of the South End Technology Center. He and his wife, Joyce, married in 1951, are parents of six children. In 2003, King created The New Majority – an organization and program uniting Boston's communities of color– Blacks, Hispanics, Asians, and Native Americans – uniting them around candidates for elective office.
In 1983, when the incumbent Mayor of Boston, Kevin White, withdrew from contention after 16 years in office, Mel King ran for mayor, the first African-American to run in a final election bid for mayor of Boston, and ultimately against Raymond Flynn. Though King secured the African American vote by wide margins and significant support among other ethnic groups, King ultimately lost to Flynn, an Irish-Catholic with roots in South Boston.
- Creator:Katherine Porter (1941, American)
- Creation Year:1983
- Dimensions:Height: 13.25 in (33.66 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214039462
Katherine Porter
Katherine Porter (1941) is an American artist. Born in Cedar Rapids, Iowa in 1941, Porter is considered one of the most important contemporary artists associated with Maine. She resists categorization. Through the medium of painting and drawing her visually stunning canvases convey the conflict inherent in life. She expresses her ideas with a visual vocabulary that is "geometric and gestural, abstract and figurative, decorative and raw, lyric and muscular."
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View AllMonoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
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Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
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Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
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Melissa Meyer (American, b. 1946)
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Larry Brown
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EDUCATION:
1970 M.F.A. in Painting, University of Arizona
1967 BA in Painting, Washington State University
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From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University
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Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL
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Paper Houses, David Beitzel Gallery, New York, NY
Curators Choice, Albright-Knox Art Gallery, Buffalo, NY
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Located in Surfside, FL
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From the 'About Women' Series.
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John Altoon (1925 - 1969), an American artist, was born in Los Angeles to immigrant Armenian parents. From 1947–1949 he attended the Otis Art Institute, from 1947 to 1950 he also attended the Art Center College of Design in Los Angeles, and in 1950 the Chouinard Art Institute. Altoon was a prominent figure in the LA art scene in the 1950s and 1960s. Exhibitions of his work have been held at the Museum of Contemporary Art San Diego, Whitney Museum of American Art, New York, Corcoran Gallery, Washington D.C, Fine Arts Museums of San Francisco, The Baxter Museum, Pasadena, and The Los Angeles County Museum of Art (LACMA).
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Mid century Modern 1960s Abstract Expressionist painting, renowned artist Signed
Located in New York, NY
Jack Wolfe
Untitled, 1965
Acrylic and collage on board
Hand signed on the front
Frame included: held in original vintage frame with original gallery label
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Excellent abstract expressionist mixed media work.
Measurements:
Image:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
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