Hazel Albarn

Happy Day

1970

A fantastic signed and framed screenprint by Harold Cohen, credited as one of the first digital artists. Derrynan IV features in the Tate collection. Year: 1967 Framed size: 75.5cm...

A striking piece by Moore also presented in the Tate collection. Lithograph in colours, on Rives paper. A Printer’s Proof outside of a limited edition of 50, initialed in pencil. Ye...

A delightful etching with aquatint by Tom Phillips CBE RA. Print: Etching with aquatint, 10/10 Framed size: 22 x 42cm Mounting: Raised-float mounted Framing: Museum-grade maple fram...

A historic Constructivist screenprint in a museum-grade frame. Screenprint made by Peter László Péri in 1923 for the Great Berlin Art Exhibition. It...

Artist: Roger Nellens (born 1937) Part of: Machine Medium: Screenprint on paper Collection: Tate - About the artist: Roger Nellens is a self-taught...

Artist: Roger Nellens (born 1937) Part of: Machine Medium: Screenprint on paper Collection: Tate - About the artist: Roger Nellens is a self-taught...

1987 Lithograph in colors, on wove paper Sheet: 31 5/8 x 23 1/2 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

2009 Thirty-one color Ukiyo-e style woodcut Image/sheet: 25 1/4 x 37 1/4 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

2005 Sixteen color Ukiyo-e style woodcut Image/sheet: 26 x 38 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

1978 Lithograph in colors, on brown wove paper Sheet: 31 1/2 x 22 1/2 in. Edition of 38 Signed, dated and numbered in pencil, lower margin

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc OFFER! Free Shipping worldwide: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...