Plywood Abstract Prints

Inspired by East Asian Sumi ink drawings, George McLeod wanted to find a photographic way of producing intricately detailed images. As with Sumi ink drawing, fire is both controllabl...

Limited edition of 15, art print. Signed by the author. Picture taken in public transportation.

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...

Pupil #2 suggests a rose window, a star chart, or a rotating mandala. The faint, glowing greenish points orbiting the darkened center also carry the implication of a clock face, with...

Red Eye #6 continues the inward journey of At the Center of Seeing, shifting from fiery intensity toward a more diffused, radiant glow. At its center, a soft golden orb hovers like ...

In Red Eye #1, the palette is saturated with crimson and ember-like tones, evoking heat, intensity, and an almost bodily vibration. A central star shape anchors the composition, radi...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Red Eye #4 intensifies the series’ exploration of perception and vision. Here, a dark circular void sits at the center, like a pupil pulled into infinite depth. Radiating outward ar...

Red Eye #3 from At the Center of Seeing carries an especially charged and enigmatic energy. At its core, a glowing orb hovers in a dark void, as if suspended between emergence and e...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

Pupil #10 blooms outward like a radiant mandala, its six-petaled form evoking both a flower in full opening and the geometric harmony of a stained-glass rose window. This work feels...

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...