Pierre Muckensturm

13R6

2013

Carborundum on zinc printed on BFK paper - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore...

Carborundum on zinc printed on BFK paper - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore...

191j24011 (Abstract print) Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and ...

XXI 41 117 (Abstract Print) Engraving / carborundum on zinc printed on paper - Unframed Artwork exclusive to IdeelArt. This work is sold as a diptych. Each elements dimensions: 50...

XXI 42 117 ABC (Abstract Print) Engraving / carborundum on zinc printed on paper - Unframed Artwork exclusive to IdeelArt. This work is sold as a triptych. Each elements dimensio...

XXI 41 117 (Abstract Print) Engraving / carborundum on zinc printed on paper - Unframed Artwork exclusive to IdeelArt. This work is sold as a diptych. Each elements dimensions: 5...

Acrylic paint, india ink on archival paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

"Legato 2", a geometric abstract screen print with chartreuse color field by Michael Hale (British, b. 1934). Presented in a black wooden framed. Signed "Hale" lower right. Titled "Legato 2" lower left. Image size, 26"H x 20"W. Mike Hale could perhaps be considered something of a 'lost' figure within this movement. He was, a pioneering screen-printer and worked as a master printing technician at Kelpra Studios for a time, before going on to teach at the Leicester Collete of Art where his meticulous approach influenced a new generation of artists working in the medium which, by the 60s had exploded in popularity. "Kelpra Studios: In 1957, commercial screen printer Chris Prater and his wife Rose set up their own business in a tiny space in Kentish Town: Kelpra Studios. Within the period of a decade they had introduced a mind-boggling array of Britain’s greatest artists to the medium of screen-printing. Like the Wizard of Oz orchestrating proceedings from behind his curtain, Prater collaborated with them all to the highest degree, succeeding - virtually single handedly as it is now recognized - in elevating the medium to an accepted art form within the eyes of even our most traditional institutions. Early converts...

Stunning, vivid non-objective abstract screen print titled "Barnabas' Voyage State 2" by Michael Gallagher (American, b. 1945). Signed and numbered lower left corner. Ink on paper using unique bleed screening process. #10/20. Unframed. Size 49"H x 37"W. Shipped in tube. Born 1945 in Los Angeles, California. In 1965 Gallagher attended UCLA and studied painting and drawing with David Hockney, Alfred Leslie, Jan Stussy, Sam Amato & Richard Diebenkorn. Michael has studied painting with Edgar Ewing and Keith Crown...

Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76" lower right. Slight crease to lower center and s...