René Carcan

Paisence

c.1960

Artist: Carlos Merida (Guatemalan, 1891-1984) Title: Estampas Del Popol Vuh Year: 1943 Medium: Color lithograph Edition: Unumbered of 1000 Paper: Wove ...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

This artwork "Untitled" 2000, is an original colors soft ground etching on wove paper by noted American artist Charles Eckart, b.1935. It is hand signed and numbered 9 in pencil by t...

This artwork titled "Monotype" 1991 is an original monotype by renown American glass sculptor Marvin Lipofsky. It is signed, titled and dated in pencil by the artist. The artwork size is 30 x 22.5 inches, framed is 33.75 x 26.25 inches. It is custom framed in the original wooden off white frame. It is in excellent condition. About the artist: Glassmaker, sculptor and graphic artist, Marvin Lipofsky, born in 1938, received his B.F.A. degree in Industrial Design from the University of Illinois. He earned his M.S. degree, 1963, and M.F.A., 1964, in sculpture from the University of Madison, Wisconsin. There, he was one of Harvey Littleton's first graduate students working in glass. Littleton had been the first American artist, in the 1960s, to visit Czechoslovakia, famous for its work in glass, where glass sculpture had been made since the 1950s. Marvin Lipofsky would also be an early visitor, observing there. Since that time, the artist has traveled extensively, collaborating with the world's best glass artists. After graduation from Wisconsin, Lipofsky was hired by the University of California, Berkeley, where he introduced the second university glass program in America (Littleton was the first). Lipofsky also established the glass program at the California College of Arts and Crafts in Oakland in 1967, the San Francisco area becoming a center for glass in the 60s and 70s because of his own work and the students produced by his teaching. While Lipofsky may be best known for three-dimensional globe forms, he has indulged himself in the making of glass Pop Art pickles and hamburgers. He has also created multi-colored, irregular flower...

Engraving Handsigned by the artist in pencil and numbered 31/50 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 39.00 cm. x 29.50 cm. 15.35 in. x 11.61 in. (image) LCD4237

DORR BOTHWELL ( 1902 - 2000) MALLORCA Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...

Johnny Friedlander Automne 1977 Etching on Arches teinte’ paper Visible: 10 x 7.25 inches Framed: 16.375 x 13.5 x 1 inches Edition: 135 Signed and numbered in pencil along lower edge...

In these abstract landscapes which reached a peak in the early 1980s, Pinajian appears to strive for visual and spiritual conclusions regarding flatness and color that parallel the goals of the Abstract Expressionsts.- Peter Falk...