Sam Francis

Abstract composition - Original lithograph

1986

Pierre SOULAGES Lithograph n°9 Original stone lithograph (3 colors- atelier Mourlot) Unsigned On vellum 12 x 10" (31 x 24 cm) REFERENCES : Catalogue raisonné BNF #53 Created in 19...

Paul JENKINS MIT International Theater Original lithograph Printed signature in the plate Printed in Mourlot workshop c. 1980 Rare proof on Arches vellum 76 x 54 cm (c. 30 x 21 in)...

Joan Miro Surrealist Bird, 1971 Lithograph in colors signed in the plate Printed in Arte workshop, Paris On vellum size 78 x 55 cm (c. 31 x 21.5 in) Very good condition REFERENCE :...

Joan MIRO The Bird, 1952 Original Lithograph (5 color stones) Printed in Mourlot workshop On vellum 31 x 23 cm (c. 12,2 x 9,4 in) Published by San Lazzaro in 1952 REFERENCES : Catalog raisonne Mourlot / Maeght #185 Very good condition, edge of the sheet lightly yellowed - A rare early lithograph...

André LANSKOY (1902-1976) Abstract composition with pink background, 1964 Original lithograph Hand signed in pencil Numbered /175 copies On vellum size 76 x 55 cm (c. 30 x 21 in) V...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Artist: Lynn Chadwick (English, 1914-2003) Title: "Red and Black II" Series: Red and Black *Signed and dated by Chadwick in pencil lower right Year: 1963 Medium: Original Lithograph ...

Artist: (after) Lee Krasner (American, 1908-1984) Title: "City Art Gallery (Bird Talk)" *Signed and dated by Krasner in the plate (printed signature) lower left Year: 1966 Medium: Or...

Lithograph

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...

SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...