Seong Moy

Chinese American Modernist Abstract "Red Tapestry" Color Lithograph

1982

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

This print depicts a non-objective composition of organic shapes rendered in vibrant hues of color upon a field of a cool grey. This relief print is hand signed and titled to the lower right corner of the picture plane. From the limited edition of 50. Publishers blindstamp in lower left of sheet. (i have seen this described as a woodcut, linocut and lithograph. there is embossing. I am not sure of the exact technique.) The title is Conifer. Amaranth Roslyn Ehrenhalt (January 15, 1928) is an American painter, sculptor, and writer, who spent the majority of her career living and working in Paris, France. Ehrenhalt is one of the few abstract expressionists from the New York School of the 1950s who is still active today. She now lives and works in New York City. Born in Newark, New Jersey, Amaranth was raised in Philadelphia, Pennsylvania. As a child, she expressed a passion for art, and by the age of twelve, Amaranth was enrolled in a Saturday morning program for artistically gifted children at the Philadelphia Museum of Art, followed a few years later by art classes at Fleisher Art Memorial. Amaranth Ehrenhalt graduated from Olney High School in 1945, and went on to study for one year at the Philadelphia Museum School of Industrial Arts (now known as the University of Arts, Philadelphia), after which, she was awarded an Honors Scholarship to the Pennsylvania Academy of the Fine Arts. While attending PAFA, she simultaneously earned a bachelor's degree from the University of Pennsylvania studying French, English, Psychology, and Art History. From 1949-1951, Amaranth completed additional studies in Art Appreciation via the Barnes Foundation, attending classes afternoon per week. Early 1950s New York Amaranth Ehrenhalt lived in New York City during the heyday of the New York School of Abstract Expressionism. She is officially recognized as part of the second wave of American Abstract Expressionists. She socialized with Willem de Kooning and Franz Kline, among others. Her social life revolved around the Cedar Tavern on University Place. Describing life in her fourth floor Greenwich Village walk-up, Amaranth states: "I painted on the floor, not by choice a la Jackson Pollock but for lack of a table. The painter Al Held and sculptor Ronnie Bladen worked at the Door Store and, upon hearing of my predicament, carried a wooden door up four flights of stairs and plopped it on top of the bathtub. From then on, I could work at a more comfortable height." Amaranth Ehrenhalt traveled to Paris for the first time in the early 1950s, one of many moves between Paris, Philadelphia, and New York. (Amaranth has also lived in Los Angeles, Rome, and Pietrasanta, Italy). Amaranth lived and worked in France and Italy for over 30 years. "I have lived many years in Italy and France and was privileged to know, and sometimes exhibit with many writers and artists who have greatly contributed to modern art, i.e. Giacometti, Sonia Delaunay, who invited me to choose my paint supplies...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Bermuda Triangle (Blue background) 1980 Jean Ma...

Renzo Eusebi, Born in Patrignone di Montalto Marche, Italy, 1946 In the 1960s he completed his artistic studies in Rome, followed the classic route and qualified for teaching which he would then engage in for the next twenty years. In the 70s and 80s, he began the search for his own artistic personality, exhibited in large international fairs, from Art Basel to New York, Chicago, Los Angeles, Tokyo, Bologna, San Francisco, Philadelphia, Atlanta, Dallas, Gant, Padua, Verona and Hangzhou, China. and intensified his presence on the national artistic scene. His early work involves cloth, fabric, textiles and even clothing, tearing on monochrome colored surfaces, made more suggestive by the accidents of clots mixed with glassy substances, with wooden sculpture and with iron sculpture. He was influenced by Alberto Burri and Lucio Fontana. In 1995, joins other artists to found "Transvisionism". Walter Cocetta, Pasquale Di Fabio, Antonio Di...

Renzo Eusebi, Born in Patrignone di Montalto Marche, Italy, 1946 In the 1960s he completed his artistic studies in Rome, followed the classic route and qualified for teaching which he would then engage in for the next twenty years. In the 70s and 80s, he began the search for his own artistic personality, exhibited in large international fairs, from Art Basel to New York, Chicago, Los Angeles, Tokyo, Bologna, San Francisco, Philadelphia, Atlanta, Dallas, Gant, Padua, Verona and Hangzhou, China. and intensified his presence on the national artistic scene. His early work involves cloth, fabric, textiles and even clothing, tearing on monochrome colored surfaces, made more suggestive by the accidents of clots mixed with glassy substances, with wooden sculpture and with iron sculpture. He was influenced by Alberto Burri and Lucio Fontana. In 1995, joins other artists to found "Transvisionism". Walter Cocetta, Pasquale Di Fabio, Antonio Di...

Guinovart, Josep (Spanish/Catalan, 1927-2007), Untitled Abstract, 1984, lithograph on paper, hand signed, dated and marked E.A. (artist's proof) in pencil at bottom, full sheet 26.75 x 22 inches, unframed. Josep Guinovart...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...

Melissa Meyer's calligraphic gestures form a screen in front of subtle wash colors.

Lithograph printed in three blacks in an edition of 46.

untitled Ed Clark lithograph from 1979. Signed and dated "Clark 79" in pencil lower right recto. Numbered "164/200" lower left recto.

Richard Hunt untitled lithograph 1978. Number 20 from an edition of 50, measuring 15 by 22.5 inches. This print has been professionally matted.