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Sheila CriderBRHHP 05, Original Signed Contemporary Neutral Toned Monoprint
$1,500
£1,115.88
€1,308.28
CA$2,097.94
A$2,342.41
CHF 1,229.04
MX$28,909.50
NOK 15,449.17
SEK 14,455.44
DKK 9,759.99
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About the Item
BRHHP 05, Original Signed Contemporary Neutral Toned Monoprint
30" x 22" (HxW), Monoprint
This simple abstract monoprint by artist Sheila Crider exudes an air of calm and stillness. A neutral color palette of sepia beige undulates with lighter organically shaped polygons overlayed against the darker brown visual texture that is reminiscent of jagged stone or choppy waters.
The title of the series, BRHHP, stands for Between Rocks and a Hard Heart Place.
Artist Commentary:
Fin de series. This is one of the remaining prints from a series of 60 monotypes executed at Lily Press with masterprinter Susan Goldman in 2012. They are based on a visit to Eastern State Penitentiary in Philadelphia and road markings on the island of Saba in the Caribbean. We made the principle cimtrex plate putting a piece of slate through the press to mimic the road and the crumbling wall of the prison.
About the Artist:
My art career started with creative writing, researching and experimenting with the idea that abstract art has a knowable and communicable vocabulary. Now I make objects based on materials and process then create installations around social and/or aesthetic ideas manifesting an integration of image, object and frame into pictures or settings that read as something familiar. Philosophically and socially, I work to strengthen the artist’ relationship with the public at large and to challenge how and where “art” is defined.
- Creator:
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Boston, MA
- Reference Number:Seller: 880641stDibs: LU1634212588762
Sheila Crider
My art career started with creative writing- researching and experimenting with the idea that abstract art has a knowable and communicable vocabulary. Now, I make objects based on materials and process then create installations around social and/or aesthetic ideas manifesting an integration of image, object and frame into pictures or settings that read as something familiar. Philosophically and socially, I work to strengthen the artist’ relationship with the public at large and to challenge how and where “art” is defined.
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