"Major", abstract print, single line, signed and numbered by Polke (61/65)

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Sigmar Polke
"Major", abstract print, single line, signed and numbered by Polke (61/65)
2000

About the Item

Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import. But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins and others in the early 1960s Polke developed is own style characterised by an anarchic mind and esprit. Simliar to the Pop Art Polke searched for the asthetic in the trivial but here too he simoultanesly disavowed the trivial through irony. Very typical for Polke are the famous grid images, known from newspaper printings, where there are horizontal, uniform lines of small dots and by combining certain dots there arises a form. By using perforated sheets and airbrush he could overlay more monochrome grids to create vibrating images and he often played in the printing process with enforced mistakes and errors to disassemble the firm surface of an image to a process of dekomposition. Next tot he irony and anarchy other keywords to his works are heterogeneity, polyperspectivity and multivalent metamorphoses in which every reality could be something possibly different at the same time. A world where everything is connected; not by fundamental unity but by fragmentary dispersion. Because there is no one true reality, he transfers his works in an intermediate state of transformability. In addition to this work with the title "Major" there is also a work with the title "Minor". Both works show the two quite typical for Polke heads depicted with single strokes, which seem to interact with each other. Contrary to what one might expect, the "Minor" image is not more melancholy, but in both images one of the two figures is somewhat more somber and seems to be cheered up by the other. Dur (2000) Colour lithography on light cardboard 60 x 76 cm (sheet-size) 67.4 x 84 cm (frame-size) Original wooden frame (white) by the workshop of the Gallery Heinz Holtmann, Schüller, Eifel, Germany Edition of 65, signed, dated and numbered (61/65) by hand Not yet in Cat. Raisonnée (Edit. van Oosten)

Creator:
Sigmar Polke (1941 - 2010, German)
Creation Year:
2000
Dimensions:
Height: 26.54 in (67.4 cm)Width: 33.08 in (84 cm)
Medium:
Cardboard,Lithograph
Movement & Style:
Post-War
Period:
21st Century
Condition:
Gallery Location:
Cologne, DE
Reference Number:
1stDibs: LU134428000712