Wifredo Lam

Wifredo Lam - Untitled from ”Visible Invisible” - Hand-Signed Etching, 1972

1972

Victor Pasmore - Hand-Signed Etching And Aquatint, 2Rc, 1991 Additional Information: Material: Etching ant Aquatint on paper Edited in 1991 Limited edition of 100 copies, numbered 7...

Arnaldo Pomodoro - La Rottura Nella Forma Solare - Hand-Signed Etching , 1983 Additional Information: Material: Etching and aquatint on paper Limited edition, numbered 37/60 in lowe...

Composition noire, jaune et brune etching and aquatint on Rives paper , edited in 1962 Limited Edition of 75 copies Hand signed in pencil by artist lower right and numbered 34/75 low...

Arnaldo Pomodoro - Hommage Aux Prix Nobel - Hand-Signed Collage, 1977 Additional Information: Arnaldo Pomodoro ( 1926 ) Etching and collage on paper Limited edition, epreuve d’artis...

Enrico Baj ( 1924 - 2003 ) - SADE IN ITALY - folder containing 8 erotic etchings, 1976 Additional information: Material: SADE IN ITALY - 8 erotic etchings ( complete folder ) Edit...

Bruno Munari (1907 - 1998) - Hand-Signed Serigraphy, 1975 Additional Information: Material: Color Serigraphy Edited in 1975 Color Serigraphy Limited edition, numbered in lower left ...

Venezia (Venice) is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old Venice building...

Amsterdam is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old...

Delightful and bright aquatint etching of a sweet faced sun rising over a red terrain by Mexican artist Lidoyne, 2009. Signed and dated lower right, titled lower center, numbered 1 o...

Etching with aquatint on Rives paper 15 1/2 x 29 3/8 inches (image size) 24 3/4 x 35 5/8 inches (sheet size) 26 3/4 x 37.25 inches (framed) Numbered lower left: "72 of 95" Signed and...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...