Pumpkin 2000 (Yellow)
View Similar Items
Yayoi KusamaPumpkin 2000 (Yellow)2000
2000
About the Item
- Creator:Yayoi Kusama (1929, Japanese)
- Creation Year:2000
- Dimensions:Height: 18.98 in (48.2 cm)Width: 25.16 in (63.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Artwork in excellent condition considering its age. Under close inspection on all edges of print there is pale discolouration due to residual tape on the reverse. Artwork not inspected outside of frame. Frame has minor scratches.
- Gallery Location:Bristol, GB
- Reference Number:Seller: LC-A22961stDibs: LU1531212164282
Yayoi Kusama
Widely inspirational and innovative artist Yayoi Kusama has a body of work that is exceptionally varied, ranging from graphic prints and paintings to polka-dot pumpkin sculptures, hypnotic collages, large-scale installations and fashion design.
Even if you don’t know her name, you’ve likely experienced Kusama’s art — or have seen it on Instagram. Her soft sculptures and dazzling “Infinity Mirrors” are the stuff of selfie-takers’ dreams, but Kusama’s impressive decades-long career certainly holds far more cachet than it does fodder for today’s aspiring social-media influencers.
Born in Matsumoto, Japan, in 1929, Kusama has worked with her signature polka dots since the age of 10, when she began to experience vivid hallucinations and claimed that patterns and dots were moving around her, swallowing up everything in view. She started to incorporate them into her paintings as a child. Kusama saw circular forms and nets on every surface and became especially fascinated with the pebbles that lined the bottom of the creek near her childhood home. Her family was sternly opposed to her art and her mother physically abused Kusama and discouraged her at a very early age. She has suffered psychological turmoil her whole life and is vocal about her mental illness. Today, Kusama is a voluntary resident at a psychiatric facility in Tokyo, and she calls her work “art medicine.”
At the Kyoto School of Arts and Crafts, Kusama trained in Nihonga, a traditional style of Japanese painting that originated during the Meiji period. On advice she solicited from painter Georgia O'Keeffe, a pioneer of modernism in America whom she greatly admired, she subsequently moved to New York City in 1958. There, Kusama flourished, creating prescient sculptures and large-scale monochrome paintings that bridged current styles with minimalism, which hadn’t yet achieved any kind of prominence as an art movement. She pushed boundaries with her “Accumulations” series, which saw her transforming found furniture pieces into sexualized objects, as well as with an avant-garde staging of theatrical orgies on the street — both stemming from her anxieties about sex as well as an endeavor to make a feminist statement about patriarchal authority and sexism.
Kusama was captivated by Surrealists as well as the Abstract Expressionists and greatly influenced the Pop artists who followed, befriending such icons as Donald Judd — who called her work “the best paintings being done” — and Andy Warhol, with whom she exhibited and later accused of stealing her ideas. Kusama moved with ease through artistic circles and made a point to draw attention to her “otherness” as a Japanese woman by wearing kimonos to her openings.
In 2021, Kusama brought her floral and vegetal sculptures to the New York Botanical Garden and her works can be found in the collections of many of the world’s top museums, including the Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Museum of Modern Art in Tokyo. She famously collaborated with Louis Vuitton in 2012, and she created a 34-foot-tall balloon for the Macy’s Thanksgiving Day Parade in Manhattan in 2019, becoming the first female artist to design a work for the event. In addition to her visual artwork, Kusama is a writer, publishing poetry, novels and an autobiography.
Find a collection of Yayoi Kusama art on 1stDibs.
- I Like Prints and So I Make ThemBy Parker ItoLocated in Bristol, GB4 colour screen print on 300gsm archival paper 27 3/5 × 19 7/10 in 70 × 50 cm Artist proof of 6, aside from main edition of 75 Mint The seller can only provide the specific edition...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsScreen
- Going AcrossBy Bridget RileyLocated in Bristol, GBSilkscreen on Somerset Satin paper AP of 10 aside from the main edition of 90 Signed and numbered on the front Condition upon request Framed with acrylic Published by Parkett magazine...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsScreen
- Kiku Andy Warhol Pop Artist, Limited Edition Print Set, Colour FlowersBy Andy WarholLocated in Bristol, GBScreen print in colours on Rives BFK wove paper Edition of 300 50 x 66 cm (19.7 x 26.1 in) Frame: 74.5 x 90.6 cm (29.3 x 35.6 in) Signed and numbered on the front Prints are in ...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsPaper, Color, Screen
- 3-MethylthymidineBy Damien HirstLocated in Bristol, GBScreenprint with glaze and diamond dust Edition of 100 Signed and numbered on the back Condition upon request Float-mounted with UV-resistant low glare glass Frame: 94.5 x 79.5 x 5 c...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsGlaze, Screen
- Kiku Andy Warhol Pop Artist, Limited Edition Print Set, Colour FlowersBy Andy WarholLocated in Bristol, GBScreen print in colours on Rives BFK wove paper Edition of 300 50 x 66 cm (19.7 x 26.1 in) Frame: 74.5 x 90.6 cm (29.3 x 35.6 in) Signed and numbered on the front Prints are in ...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsPaper, Color, Screen
- Two BluesBy Bridget RileyLocated in Bristol, GBScreenprint in colours Edition of 250 Signed, numbered and dated on the front Artwork in mint condition. Artwork not inspected outside of frame Float-mounted with plexiglass Frame: 5...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsScreen
$19,443
- "Western Moment"Located in North Adams, MARenowned painter and printer, Gary Lichtenstein demonstrates true abstract expressionism via his spectacular use of color. His paintings and silkscreen prints, more than 200 oil-based and water-based works to date, exhibit mastery of the properties of light absorption and reflection, specifically with regard to the visual impact of color. Inspired by artists such as Robert Motherwell and Helen Frankenthaler, Lichtenstein creates canvases which have frequently been described as ethereal, and he has been praised as one who manages to capture a “sense of no-self…” In fact, the composition of Lichtenstein’s work has been referred to as atmospheric... “evocative of natural forms and phenomena.” In addition, Lichtenstein has collaborated with over one hundred artists during the course of his 49-year career. Despite, and because of, rich historical influences, Gary Lichtenstein’s vision and artistic intellect are uniquely his own and clearly evident throughout the enormous portfolio of work that spans his career. Lichtenstein’s work has been shown and collected by, among others, The Aldrich Contemporary Art Museum, Ridgefield, CT, New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Smithsonian, the San Francisco Art Institute, the San Francisco International Art Expo, the Chicago Art Institute, the Butler Institute of American Art, the College of Art & Architecture at the University of Tennessee, the Silvermine Arts Center, the International Print Center NYC, the Boston World Art Fair, the New York International Exhibit of Contemporary Art, and Art Asia (Hong Kong). Solo exhibitions in New York, San Francisco, Tokyo, and Hong Kong have been celebrated at the Rubicon Gallery, Susan Todd Gallery, Galerie Enatsu, and the Modernism Gallery. The Fried screen print collection can be found at the Museum of Modern Art in New York City, the Whitney Museum, and the Museum of Modern Art in San Francisco. “Not enough has been written about Gary’s personal work as a painter and printmaker. The work, which can be categorized as “Color Field” has been informed by diverse influences, many of them not readily apparent to the casual viewer. One inescapable fact is despite Gary’s roots on the East Coast his artistic outlook has really been tempered by his thirty years in California, and by the Bay area in particular. Working with fabled San Francisco screen printer Robert Fried...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsScreen
- Machine II - Screenprint by Roger NellensLocated in London, GBArtist: Roger Nellens (born 1937) Part of: Machine Medium: Screenprint on paper Collection: Tate - About the artist: Roger Nellens is a self-taught...Category
1970s Contemporary Abstract Prints
MaterialsScreen
- Machine I - Artist's Proof Screenprint by Roger NellensLocated in London, GBArtist: Roger Nellens (born 1937) Part of: Machine Medium: Screenprint on paper Collection: Tate - About the artist: Roger Nellens is a self-taught...Category
1970s Contemporary Abstract Prints
MaterialsScreen
- Poema tonal: There is solitudeLocated in Ciudad De México, MXSerigrafía y hoja de oro sobre panel de MDF Poema tonal: There is solitude, de Emili Dickinson. Poemas tonales e sun proyecto de Iván Krassoievitch, que consta de tres poemas escrit...Category
2010s Contemporary Abstract Prints
MaterialsScreen
- Falling BearBy Gary HumeLocated in New York, NYGary Hume Falling Bear 1995 Silkscreen 32 3/4 x 26 inches; 83 x 66 cm Edition of 25 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available fro...Category
1990s Contemporary Animal Prints
MaterialsScreen
- Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and BrownBy Gary HumeLocated in New York, NYGary Hume Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown 2005 Set of three screenprints on silver leaf "Pink Nicola": 49 1/4 x 38 1/8 inches; 125 x 97 cm "Nicola as...Category
Early 2000s Contemporary Portrait Prints
MaterialsSilver