Adnan Charara

"Historia II" Colorful, Allegory, 21st century & 19th century

2015 - 2016

SALE ONE WEEK ONLY Marc Chagall is clearly a Modernist. Though titled "Summer Night" it could just as easily be identified as a scene from Shakespeare...

SALE ONE WEEK ONLY "Home #38" is a brilliant swirl of bright colors full of life and dynamism. It is signed on verso by the artist with title inscribed. This piece incorporates the swirl motif that was a favorite of Mr. Loving's. Alvin Demar Loving, Jr. better known as Al Loving...

SALE ONE WEEK ONLY "Inspiraled" is a lively creative mixed media piece full of life and dynamism that incorporates one of Loving's favorite motifs, the spiral. This piece is mounted by pins onto a canvas within a Plexiglass case. The actual size of the collage measures 13 inches x 19 inches. It is signed on verso by the artist with title inscribed. Alvin Demar Loving, Jr. better known as Al Loving...

SALE ONE WEEK ONLY "To Bunny" is brilliant painted in reds, blues, and pinks with a dash of yellow. It is lively and exuberant in the shape of a heart with Loving's well-known swirl motif throughout. It is signed and dated on verso with the inscription: "To Bunny as part of a happy marriage." Bunny is Al brother Paul daughter. This work is mounted on a Pexiglass structure and stands 3 inches from the wall. Alvin Demar Loving, Jr. better known as Al Loving...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

SALE ONE WEEK ONLY "Abstract in Gold and Black" is a well-balanced calm piece. The placement of the gold and white can be read as a distant landscape giving much imagined space to the heavier black area which contains a linear element and the color blue. Semivan is a Master Printmaker and sculptor. He often breaks his surfaces and extends beyond the perimeters in his sculptures. The particular placement of the black area in this piece suggests such a breakage beyond the edge where one imagines a continuation of the strokes or linear elements. This is an altogether extraordinary print. Born in Detroit, Michigan, Douglas Semivan...

Beach Landscape Photography, Ocean Print, Color Photography-Lowtide Swash 022 ABOUT THIS PIECE: "Lowtide Swash 022" was part of a series of landscape ph...

An excellent impression of this archival digital pigment print on Somerset Photo Rag paper. Signed, dated and numbered 207/500 in silver pen, lower margin. Acquired directly from the...

Ceravolo is one of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. Ceravolo has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This new very limited edition print is limited to only 10 images. This work is numbered 1/ 10. The art is titled "The Girl with Kaleidoscope Eyes...

Ceravolo is one of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. Ceravolo has been call the "Rock an...

New for 2018 we are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for mor...

Bold linocut proof print by an unknown artist (20th Century). A green-yellow underlayer shows through a bold black top layer, creating a strong contrast of highlights and shadows. A ...