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(after) Keith HaringKeith Haring AIDS Dance-A-Thon poster 1992 (vintage Keith Haring posters)1992
1992
$340
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£252.93
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€296.54
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CA$475.53
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About the Item
Keith Haring AIDS Dance-A-Thon Los Angeles, CA 1992:
Rare early 1990s Keith Haring foundation sponsored event poster - published on the occasion of AIDS Dance-A-Thon - ' A five-hour fundraising dance extravaganza benefiting Aids Project Los Angeles.' An event co-produced by Act Up LA.
Offset lithograph; 8.5 x 7.5 inches (folded open).
Good overall vintage condition; light surface markings mid left; minor signs of handling; contains fold-lines as originally issued (for mailing).
Haring printed signature lower right from an edition of unknown. Published 1992; scarce.
Keith Haring, who famously declared that “art is for everybody,” was drawn to posters because they were a democratic medium—a great way to share his bright designs and kinetic characters in visible public display. Haring also used posters as a means for social activism, spreading awareness about the crack epidemic in the United States, apartheid in South Africa, global nuclear disarmament, right-wing politics and the devastation of AIDS.
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Keith Haring was born in 1958 in Reading, Pennsylvania. From a young age he enjoyed drawing, especially Disney characters and other cartoons. He initially wanted to become a commercial artist but after a year at the Ivy School of Professional Art in Pittsburgh, Haring dropped, moved to New York City and enrolled in the School of Visual Arts (SVA). Haring immediately felt connected to the thriving alternative arts scene happening downtown in the late 1970s and became friends with Jean-Michel Basquiat and Kenny Scharf.
Inspired by the ideals of “art as life” and moving the art experience out of galleries and into the streets, Haring’s first major works were his subway drawings. Haring produced over one hundred of these public works between 1980 and 1985, integrating his now-iconic exuberant, cartoonish outlined figures into everyday public space in a way that directly engaged its viewers.
Throughout the 1980s, Haring was committed to democratizing the art experience and along with paintings, he also created theater sets, billboards, murals, advertising campaigns and even a line of Swatch watches. In 1986 he opened the Pop Shop in SoHo, selling apparel, posters and toys bearing his drawings. This was a controversial move, as many galleries criticized Haring for “de-valuing” the art object while others, such as Andy Warhol, championed Haring’s insistence on making art accessible and affordable. Pop Shop was highly influential to contemporary crossovers of art and merchandise that are now so dominant, as in the work of Jeff Koons, Yayoi Kusama, KAWS, Shepard Fairey and Takashi Murakami.
In addition to this ideology of accessibility, Haring was also very socially engaged and used his striking imagery to promote awareness of various political and social campaigns. His many notable public works included a mural on the western side of the Berlin Wall, the Crack is Wack mural in New York, and a mural for the 100th anniversary of the Statue of Liberty in 1986. Haring was diagnosed with AIDS in 1988 and used his presence in the arts community to raise awareness of the crisis. In 1989, a year before his death, he established the Keith Haring Foundation, whose mission is to raise funds for AIDS organizations and children’s literacy and arts programs.
Since his death in 1990, Haring has become one of the most widely-recognized and celebrated artists of the 20th century, priming the path for the rise of graffiti and street art in the 21st century and a socially-conscious approach to talking about sexuality, intimacy and visibility through public art. Famed New York gallerist Jeffery Deitch asserts that Haring made “works that can hang in museums alongside masterpieces…and hold their own as art-historically important pieces,” expressly because they embrace and engage popular culture with an immediate and dynamic visual language that celebrates the joy and chaos of our society.
Related Categories:
Keith Haring activist posters. Vintage Keith Haring. Keith Haring ephemera. Keith Haring Aids. Keith Haring dance.
- Creator:(after) Keith Haring (1958 - 1990, American)
- Creation Year:1992
- Dimensions:Height: 7.5 in (19.05 cm)Width: 8.5 in (21.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354314448202
(after) Keith Haring
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s.
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Located in NEW YORK, NY
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Keith Haring Rain Dance 1985 (Keith Haring UNICEF benefit poster)
By Keith Haring
Located in NEW YORK, NY
Rain Dance: A Benefit for the African Emergency Relief Fund, 1985:
Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund.
Medium: Offset lithograph in colors on smooth wove paper. 1985.
Dimensions: 22.5 x 30.5 inches.
Very good overall vintage condition. Well-preserved.
Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat, Andy Warhol, Roy Lichtenstein, & Yoko Ono.
From an edition of unknown. Scarce.
Literature / References:
Keith Haring: Posters (Jürgen and Osten).
More on Keith Haring Rain Dance:
Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol.
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Keith Haring 1980's/1990s ephemera collection (Keith Haring pop shop)
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1980s/1990s Keith Haring ephemera collection:
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By (after) Keith Haring
Located in NEW YORK, NY
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Original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 08-September 08, 1998; an exhibit which featured a complete retrospective of Haring's work, from his childhood doodles and early New York subway drawings to large-scale paintings during his final years.
Off-set lithograph on heavy wove paper.
24 x 36 inches. Unsigned from an edition of unknown.
Bright, vibrant colors. Some minor signs of handling; otherwise very good overall.
Contains trademark of Haring Estate on lower center edge.
Further Background:
Image featured in this poster is Haring's, "Drawing for Headstand 1988. De Young Museum's regarding Haring's symbolism here:
"Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumps are probably also depictions of break dancers."
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