(after) Pablo Picasso

"Exposition Hispano-Americaine" lithograph poster

1959

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster for the Exposition Vallauris). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the a...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Original Poster Exhibition - Galerie 65 Cannes...

(after) Pablo PICASSO Suite de 180 Dessins Lithograph, 1954 Printed signature in the plate Size 38 x 26.5 cm (c. 15 x 10,45 inch) Lithograph created for...

This original 1954 poster, created by Pablo Picasso himself, announces the publication of Suite de 180 Dessins de Picasso, a special double issue of the celebrated art magazine Verve...

Historical poster of the exhibition "Gaspar Room. Drawings by Picasso. January-February 1961". Manufactured in Spain, circa 1961. In original condition with minor wear consistent of age and use, preserving a beautiful patina. Materials: Paper Dimensions: D 0.1 cm x W 50 cm x H 70 cm. This original historical poster was edited for the exhibition of drawings by Pablo Picasso that took place in the Sala Gaspar, which was the official representative of the artist in Spain. Limited edition. PABLO PICASSO (Málaga, 1881 – Mougnis, 1973). One of the most important and influential artists of the 20th century, his art left a profound impact on the development of modern and contemporary art. He was born into the family of the painter José Luís Blasco, who influenced the young artist's introduction to art. For a few years, Picasso lived in La Coruña, Barcelona and Madrid (where he studied at the San Fernando Academy of Fine Arts). At the end of the 19th century and the beginning of the 20th he began to travel to Paris until, in 1904, he decided to settle in the French capital. His art is traditionally divided into several periods, although their names are still disputed by many art historians: The Blue Period, The Pink Period, the Proto-Cubist Period where the influence of African art is obvious, Cubism - which is divided into Analytical and Synthetic Cubism -, Neoclassicism, Surrealism and Expressionism. Pablo Picasso and the Gaspar family met in 1955 and from that moment the Sala Gaspar became an important center for the dissemination of Picasso's art in Spain...