(after) Andy Warhol

Andy Warhol Cowboys & Indians 1986 (announcement)

1986

Damien Hirst, Gagosian Gallery, New York 1996, Announcement Card Rare vintage 1990s Damien Hirst Gagosoan announcement card published on the occasion of: 'No Sense of Absolute Corru...

Takashi Murakami, Marianna Boesky Gallery, New York: Rare early 2000s announcement card designed by Murakami and published by Marianne Boesky Gallery New York, 2001. Features a uniq...

1980s Keith Haring Record Art: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring original cover artwork by Keith Haring. Year: 1983. Medium: Off-Set Li...

Keith Haring, Julian Schnabel, & Robert Rauschenberg & more: ART/New York 1983: Rare historical 1980s announcement card published on the occasion of Videotapes of the 1982-83 Art Season ART/New York. Featuring a who’s who list in New York artists including, Keith Haring, Julian Schnabel, Robert Rauschenberg, Brice Marden and Nam June Paik. Medium: Offset printed folded announcement. Dimensions: Approximately 10 x 12.25 inches. (unfolded) Fold-line in center as originally issued; good to very good overall vintage condition. Unsigned from an edition of unknown. --- Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, The Broad Museum Los Angeles and the Albertina Museum in Vienna, among other key institutions. Julian Schnabel (America, b.1951) is an artist, filmmaker, musician, and writer, best known in the art community for his hasty rise to fame after the exhibition of his famous Plate Paintings at Mary Boone Gallery in 1979. Encouraged to draw by his mother during his childhood in Brooklyn, Schnabel’s artistic interest piqued as a teenager when he encountered the art of the Mexican muralists. After earning his BFA at Houston University in 1973, Schnabel enrolled in the very prestigious Independent Study Program at the Whitney Museum, and began his career as an artist. Rapidly achieving notoriety in the late 1970s, Schnabel became the infamous star of the internationalist Neo-Expressionist movement in the 1980s, with his works on unusual materials such as velvet, and garnering as much attention through his brash remarks and self-aggrandization as through his art. Along with fellow Neo-Expressionists David Salle (American, b.1952), Eric Fischl (American, b.1948), and Sigmar Polke (German, 1941–2010), Schnabel’s art can be seen as a reaction against the cool compositions of Minimalism and Conceptualism, in its rough texture and violently expressive return to addressing the human condition in painting. In 1996, he began a career as a filmmaker with Basquiat and his movie The Diving Bell and the Butterfly based on the novel by Jean-Dominique Bauby had a great success. Since 2010, a selection of his Polaroids taken since 2002 has been held in London, Milan and Paris, which are repainted to underline the highlights of the pictures. He still lives and works in New York. Robert Rauschenberg was a prominent member of the American Post-War avant-garde. The artist’s sculpture-painting hybrids, known as Combines, broke through the two dimensionality of the canvas at a time when Abstract Expressionism dominated the scene. His seminal Neo-Dada work, Erased de Kooning (1953), consisted of ritualistically wiping out an original drawing he purchased from the famed painter. “I don't really trust ideas, especially good ones,” he once said. “Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.” Born Milton Ernest Rauschenberg on October 22, 1925 in Port Arthur, TX, he was drafted into the Navy during World War II where he served as medical technician in San Diego. After the war, he traveled to Paris to study at the Académie Julian on the GI bill, where he met his future wife, Susan Weil. The pair went on to attend the Black Mountain College in North Carolina alongside John Cage and Merce Cunningham. After settling in New York in 1949, Rauschenberg began questioning the nature of painting through works such as Bed (1955) and Monogram (1955–1959), which utilized commercial imagery and mass produced objects. Many of the artist’s ideas foresaw the emergence of Andy Warhol and Pop Art in the 1960s. The artist died on May 12, 2008 in Captiva, FL. Rauschenberg’s works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the Walker Art Center in Minneapolis, and the Kunstmuseum Basel, among others. Brice Marden is a contemporary American painter known for his subtle explorations of color and gestural lines. Like Robert Ryman, Robert Mangold, and Agnes Martin, Marden’s canvases are the product of an ongoing investigation into the nature of abstraction and the medium of painting itself. “A painting, you know, it's all dirty material. But it's about transformation,” the artist mused. “Taking that earth, that heavy earthen kind of thing, turning it into air and light.” Born on October 15, 1938 in Bronxville, NY, Marden received his BFA from Boston University in 1961 and his MFA from Yale University in 1963, where he was taught by both Alex Katz and Jon Schueler...

Tracey Emin: I Lay Here For You (Hand signed and dated book), 2022 Hardback monograph (hand signed and dated by Tracey Emin) on Munken Lynx Smooth Natural White 170 gsm with endpapers of Colorplan Candy Pink 135 gsm; matt laminate printed cover with black head and tail bands Hand signed and dated by Tracey Emin on the title page. 9 × 6 3/4 × 2/5 inches Unframed Hardback monograph with illustrated boards and no dust jacket as issued, hand signed by Tracey Emin. A beautifully designed publication I Lay Here For You, sumptuously illustrated and with a fascinating essay by Katy Hessell, author of The History of Art without Men. About the project: Tracey Emin’s first Scottish show since 2008, I Lay Here For You (28 May – 2 October) will offer an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship. Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place...

Damien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...

Damien Hirst "I want to spend the rest of my life everywhere with everyone," 1997 Hardback monograph with hand signed ink inscription Fine provenance: Hand signed and inscribed to a...

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medium: Poster Size: 36 in. x 24 in Provenance: collection of Friede & Rubin L. Gorewitz Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max was born in Berlin, the son of German Jews, Salla and Jakob. They fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel, where they lived for several years. Peter attended school in Mount Carmel, but was often drawing instead of taking notes. His principal suggested to his parents that he be put in art lessons after school, and he began to study under Professor Hünik, a Viennese Expressionist. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art. In their short time in Paris, Max's mother enrolled him in drawing classes at the Louvre, where he began to study Fauvism. After nine months in Paris, Max and his family made their final move, settling in Brooklyn, New York, USA. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell. In 1962, Max started a small Manhattan arts studio known as "The Daly & Max Studio," with friend Tom Daly. Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising for which they received industry recognition. Much of their work incorporated antique photographic images as elements of collage. Max's interest in astronomy contributed to his self-described "Cosmic '60s" period, which featured psychedelic, counter culture imagery. Max's art was popularized nationally through TV commercials such as his 1968 "un cola" ad for the soft drink 7 Up which helped drive sales of his art posters and other merchandise. In 1967, Max solidified his place as a counter cultural icon by designing the flyers for the second ever 'Be In', a political gathering of mainly hippies in New York's Central Park after the Easter parade on March 26, 1967. In 1970, many of Max's products and posters were featured in the exhibition "The World of Peter Max," which opened at the M.H. de Young Memorial Museum in San Francisco. The United States Postal Service commissioned Max to create the 10-cent postage stamp to commemorate the Expo '74 World's Fair in Spokane, Washington, and Max drew a colorful psychedelic scene with a "Cosmic Jumper" and a "Smiling Sage" against a backdrop of a cloud, sun rays and a ship at sea on the theme of "Preserve the Environment." According to The New York Times, "His DayGlo-inflected posters became wallpaper for the turn on, tune in, drop out generation." On July 4, 1976, Max began his Statue of Liberty series leading to his efforts with Chrysler CEO Lee Iacocca to help in the restoration of the statue. Max has been the official artist for many major events, including the 1994 World Cup, the Grammy Awards, the Rock and Roll Hall of Fame, the Super Bowl and others. In 2000, Max designed the paint scheme Dale Earnhardt...