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After John James Audubon"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph1840
1840
$2,675
£2,066.90
€2,389.53
CA$3,779.97
A$4,239.49
CHF 2,220.15
MX$51,513.89
NOK 28,192.23
SEK 26,728.22
DKK 17,836.61
About the Item
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate 14, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a bald eagle perched on a rock with a catfish in its talons. A body of water and hills are seen in the background.
This original first edition hand-colored Audubon bird lithograph is in very good condition, other than some irregularity of the lower edge of the paper where the print was previously bound in the publication, mild rounding of the upper corners and faint creasing of the right upper corner. The sheet measures 6.5" x 10.13".
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set “The Birds of America” have sold at auction for as much as $8.8 million, and individual plates may sell for six figures. The beautiful octavo sized plates are not as expensive, but becoming more sought after, as the folio bird plates become unattainable to all but the very wealthy.
- Creator:
- Creation Year:1840
- Dimensions:Height: 6.5 in (16.51 cm)Width: 10.13 in (25.74 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 22741stDibs: LU117329318482
After John James Audubon
John James Audubon was an American ornithologist, naturalist and painter. His combined interests in art and ornithology turned into a plan to make a complete pictorial record of all the bird species of North America. Audubon was notable for his extensive studies documenting all types of American birds and for his detailed illustrations that depicted the birds in their natural habitats. His major work, a color-plate book entitled The Birds of America (1827–1839), is considered one of the finest ornithological works ever completed. Audubon is also known for having identified 25 new species. He is the namesake of the National Audubon Society and his name adorns a large number of towns, neighborhoods, and streets in every part of the United States. Dozens of scientific names first published by Audubon are currently in use by the scientific community. Audubon made some excursions out West, where he hoped to record Western species he had missed, but his health began to fail. In 1848, he manifested signs of senility or possibly dementia from what is now called Alzheimer's disease, his noble mind in ruins. Audubon died at his family home in northern Manhattan on January 27, 1851. He is buried in the graveyard at the Church of the Intercession in the Trinity Church Cemetery and Mausoleum at 155th Street and Broadway in Manhattan, near his home. An imposing monument in his honor was erected at the cemetery, which is now recognized as part of the Heritage Rose District of NYC.
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This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
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