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Anthony GrossSea Gulls and Soldiers, Dover by Anthony Gross, 19401940
1940
$2,698.79
£1,950
€2,305.88
CA$3,694.05
A$4,137.54
CHF 2,152.90
MX$50,250.09
NOK 27,293.27
SEK 25,753.24
DKK 17,205.16
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Sea Gulls and Soldiers, Dover by Anthony Gross, 1940
Additional information:
Medium: etching
29 x 41 cm
11 3/8 x 16 1/8 in
signed, titled and dated in pencil
English painter and printmaker. He trained in London, Paris and Madrid from 1923 to 1925, specialising in etching. In 1926 he settled in France, where he created a number of animated films between 1931 and 1939; in 1936 the first of many books illustrated by him was published, an edition of Jean Cocteau's Les Enfants terribles. His oil paintings of this period are largely affectionate depictions of French and English life and leisure, as in Place du Théâtre, Brive-la-Gaillarde (1929; London, Tate). Gross returned to England in 1939 and from 1941 to 1946 served as an Official War Artist, covering campaigns in El Alamein, India, Burma, Iran and Normandy; among the works produced in this connection are three watercolours depicting episodes in the Liberation and Battle of France (1944; London, Tate). After World War II he divided his time between France and England, where in 1965 he became the first President of the Print Makers Council. From the 1950s he adopted an increasingly emphatic line and densely packed compositions, particularly in his etchings, for which he remained best known, and devoted much of his attention to landscape, as in Wheatfield (etching, 1966; London, Tate).
- Creator:Anthony Gross (1905 - 1984, British)
- Creation Year:1940
- Dimensions:Height: 11.375 in (28.9 cm)Width: 16.125 in (40.96 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214577602
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Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits.
He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33.
Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938.
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