Miniature Animal Prints

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Anatomy of Animals is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

Anatomy veterinary is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la de...

Mario AVATI Music : the Trumpet Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

Mario AVATI Woman Riding a Dove Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

Mario AVATI Pisa Tower and Apple Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) ...

Anatomy of Animals is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Animal's Anatomy is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Anatomy of Animals  is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la d...

This is a unique mono print made with different colored inks. The image is 10x8 inches and the paper it is printed on is 16x14 inches. The images is of a young man lying down, dayd...

Deer Horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

Internal organs of animal is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on...

Anatomy veterinary is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Bat bats  anatomy  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

Skeleton Quadrupedes is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

The Buffalo is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

Deer Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Animal Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Sheep Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboa...

Rabbit Anatomy is an artwork realized  by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Mouflon Wild Sheep  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on ca...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Le Faon du Cerf is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

Veal anatomy is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

(after) Marc Chagall Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Anatomie is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. Total...

Strange Animals Engraving, 1949 Signed, dated, and titled in pencil by the artist The composition was created at the Univerisity of Iowa while the artist was enrolled in the famous M...

The dissected veal is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Le Riche is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. Total...

Deer horns is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. To...

Hornskeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

Cornamentas is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

Fetus - Wild boar - Pig is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on c...

Fetus - Squirrel is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Fetus - Dog is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. To...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own. Lisa Houck 'Chittering and Chattering VI' Linoleum Block Print, Edition 10 11 1/2 x 11 1/2 Inches (Image Size) Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed. Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue. These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...

Graphisms & 14. 1980, paper, silk screening, 15x22.5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. O...

Circus tent with a bemused elephant balancing precariously on ball with audience of birds. In her works, the animal presence is essential and provides an allegorical representation f...

A bemused elephant performs for an audience of birds and monkeys who seem unimpressed in this slightly surreeal image. The animal presence is in Seyedin's work provides an allegorical representation for mankind. Marjan has a contemporary and poetic reinterpretation of classical engraving techniques, mostly etching, aquatint and drypoint. Medium: Etching, aquatint and roulette with gouache Year: 2024 Edition: unique Image Size:  12 x 15.75 inches Marjan's work was awarded the 2007 Grav'x prize in Paris, as well as the 2010 Pierre Cardin prize of the Academy of Fine Arts. She has also taken part in several solo and group exhibitions in France, Iran and the United States. After a solo exhibition in 2017 at the Shirin Gallery, Tehran (Iran), Marjan Seyedin...

Lithograph on Paper Page Size: 12.5 x 18 in. Frame Size: 19 x 24.75 Signed, bottom right, in pencil "Ancel Nunn" Numbered, bottom center, in pencil "77/90" Titled, bottom left, in pe...

This is a rare 18th Century hand-colored copperplate engraving entitled "Wasserhuhn" (Coot) by Johann Leonhard Frisch , which is plate 208 from ...

Maurice Estève - Composition - Original Lithograph Colorful Abstraction 1969 From the art review XXe Siecle Dimensions: 32 x 24 inches Edition: G. di Sa...

Artist: Dan May (American, 1955-) Title: "Crazy Dog" *Signed and numbered by May in pencil lower left Year: 1996 Medium: Original Screenprint on unbranded white wove paper Limited ed...

Sea Gulls and Soldiers, Dover by Anthony Gross, 1940 Additional information: Medium: etching 29 x 41 cm 11 3/8 x 16 1/8 in signed, titled and dated in pencil English painter and pr...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print". - A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting. About the artwork In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism. In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...

Woodcut, 2019. Signed in pencil and numbered from the edition of 15.