Dirk Stoop

The Lion as King of the Beasts

1665

An original hand-colored copperplate engraving on laid paper after Dutch artist Abraham van Diepenbeeck (1596-1675) titled "Plate 38 (Methode et Inv...

An original copperplate etching on laid paper by Dutch artist Abraham Hondius (c.1625-1691) titled "Honden Jagen Op Een Beer (Hounds Hunting a Bear)"...

An original engraving on soft blue wove handmade paper by Italian artist Francesco Londonio (1723-1783) titled "Shepherdess with Sheep and Goat", 1759. Signed and dated by Londonio in the plate upper right, (printed signature). Edition size unknown, presumed small. "10" printed upper right in margin, likely the plate number. "Sammlung Hämmer (Hammer Collection)" stamp in green on verso. The work is presently archivally tipped into a storage mat. Sheet size: 7.25" x 5.5". Image size: 6.75" x 5.25". Some light foxing spots associated with age. Minor crease in paper across sheep's head - likely original from handmade paper process. It is otherwise a strong impression in very good condition. Very rare. Francesco Londonio (Milan, 1723 – Milan, 1783) was an Italian painter, engraver, and scenographer, active mainly in Milan in a late-Baroque or Rococo style. Londonio trained as a painter under Ferdinando Porta and Giovanni Battista Sassi in Milan, but traveled to Rome and Naples. He studied engraving with Benigno Bossi. He is best known for his paintings and ectchings of rustic and pastoral landscapes and subjects, with both animals and peasants playing a dominating role over the landscape. This focus on genre themes was popular among the wealthy patrons of the time, specially in Northern Italy; and artists such as the Brescian painters Ceruti and Cifrondi worked with such themes. In his engravings, he recalls Gaetano Zompini. Londonio is also known for his scenography. An example, of this poorly conserved art form that still exists is a nativity scene on cut wooden shapes for the church of San Marco in Milan. The effect is a cheaper version of the naturalistic Sacri Monti scenes, which had been painted stucco statuary. It also can be seen as a cross between the holy scenes described above, and the theatrical set pieces, for example, those needed for the newly founded La Scala theater. The work at San Marco prompted Empress Maria Theresa of Austria...

An original hand-colored engraving on watermarked laid paper by Italian artist Saverio Manetti (1723-1785) titled "Eagle", 1767-1776. Plate V - 5. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Edition size unknown, presumed small. Comes from Manetti's monumental 5 book volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776, which consists of 600 hand-colored prints, miniature and life-size prints, made from engraved plates. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet. Provenance: private collection - Haarlem, Netherlands. Sheet size: 16.75" x 14.5". Platemark size: 13.63" x 10.88". Some minor surface marks mainly in margins. In otherwise excellent condition with strong colors. Rare. Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...

An original hand-colored engraving with aquatint on double-elephant folio, J. Whatman paper by American artist John James Audubon (1785-1851) titled "Snow Bunting...

An original hand-colored engraving with aquatint on double-elephant folio, J. Whatman paper by American artist John James Audubon (1785-1851) titled "Tropic Bird", 1835. Plate CCLXII - 262; part No. 53. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Limited edition: approx. 180. Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". J. Whatman 1835 watermark upper right. Provenance: private collection - New York, NY. Matted in archival handmade French matting. Matted size: 30" x 38.75". Sheet size: 25.5" x 36". Platemark size: 20.75" x 30.25". Image size: 18.5" x 27.75". A few tiny foxmarks. In otherwise excellent condition with clean paper and strong colors. Rare. Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...

Rembrandt, “ La Synagogue des Juifs, 1648 Etching on watermarked paper . Beautiful artist’s proof representing the interior of a Synagoge with people. Good condition, except some l...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 ...

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Smoker and the Drinker Year: 1650 Medium: Etching Paper: Laid paper Image (plate mark) s...

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...

Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort. Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10". This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...

HAAS, Johann Meno. [A Pair of Horses] ‘Gentle Kitty’ and ‘Melilcoma’. Esner, Berlin, 1796. Copper-plate engravings after Wolf, with fine original hand-colouring in gouache. Trimmed ...

L’ADMIRAL, Jacob. Group of Six Insects. [Amsterdam, Johannes Sluyter, 1774]. Group of six copper engravings with fine original colour, showing the metamorphosis of butterflies, m...