Items Similar to Het leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard
Want more images or videos?
Request additional images or videos from the seller
1 of 24
Dirk StoopHet leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard1665
1665
$2,500
£1,867.38
€2,164.93
CA$3,471.19
A$3,890.75
CHF 2,025.80
MX$47,507.78
NOK 25,720.32
SEK 24,380.55
DKK 16,152.72
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Artist: Dirk Stoop (Dutch, c.1615-1686)
Title: "Het leeuwendeel (The Lion's Share)"
Portfolio: The Fables of Aesop
Year: 1665 (an earlier state of unknown states)
Medium: Original Etching on cream laid paper
Limited edition: Unknown
Printer: Thomas Roycroft, London, UK
Publisher: John Ogilby, London, UK
Reference: "Dutch and Flemish Etchings, Engravings and Woodcuts c. 1450-1700" - Hollstein No. 44; "Suppléments au Peintre-Graveur de Adam Bartsch" - Weigel No. 162.35; "Manuel de l'Amateur d'Estampes" - Dutuit No. VI.327.35
Framing: Recently framed in a Neo-Classical gesso moulding with 100% cotton rag matting 99% UV protective Museum Glass
Framed size: 20.57" x 17.07"
Sheet size: 16" x 9.88"
Image size: 8.75" x 6.75"
Condition: Some foxmarks and a few small light stains about sheet. One small repair to paper on lion's back. In otherwise very good condition with impressive full margins
Extremely rare
Notes:
The plate number "3" printed lower right in margin. Comes from Ogilby's 1665 "The Fables of Aesop" portfolio of 24 etchings. Our particular state here lacks a bear in center and dog lower right. There is an example of this work within the British Museum, London, UK.
Biography:
Dirk Stoop (c.1615–1686) was a widely travelled painter of the Dutch Golden Age. Alternative versions of his name include Dirck Stoff, Theodorus (van der) Stoop, Thierry (the French version) and Rod(e)rigo, by which he was known in Portugal. Stoop was born in Utrecht. His father was the glass painter Willem Jansz. van Stoop and his brother Maerten was also a painter, especially of war scenes. According to Houbraken, his father had also been the first teacher of Abraham Diepraam. Houbraken considered the elder Stoop to be a good horse painter. This younger Stoop was known for Italianate landscapes with hunting parties, views of ports, cavalry scenes, history paintings, still lifes and altar pieces, which were valued highly in his time. He was also an engraver and among his productions during a stay in England in the 1650s were some of the plates for the second, luxury edition of John Ogilby’s Aesop’s Fables in 1665, and a series of prints of “12 horses”. In 1638, Stoop was a pupil in the Utrecht guild. He then went to live in Italy, probably between 1639 and 1645. During a subsequent visit to England he painted the panoramic Restoration procession of King Charles II (1660). Dirk then went on to Lisbon and became Court painter to the Princess Catherine of Braganza. Rodrigo, as he was known locally, did many works for the Portuguese court in its entirety, from various portraits to the famed depiction of Ribeira Palace. When Cathrine was betrothed to Charles II, he joined her entourage when she came to England in 1662. From this time dates the series of eight large plates portraying her progress from Portsmouth to Hampton Court. After a four year stay, he returned to Utrecht but was known to have travelled to Hamburg some time between that date and his death. He returned to Holland and died in Utrecht in 1686.
- Creator:Dirk Stoop (1615 - 1686, Dutch)
- Creation Year:1665
- Dimensions:Height: 20.57 in (52.25 cm)Width: 17.07 in (43.36 cm)
- Medium:
- Movement & Style:
- Period:1660-1669
- Condition:(Very Good).
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU1212621432
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2015
1,324 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Saint Augustine, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllHonden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
By Abraham Hondius
Located in Saint Augustine, FL
Artist: Abraham Hondius (Dutch, c.1625-1691)
Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)"
*Signed and dated by Hondius in the plate (print...
Category
1670s Old Masters Animal Prints
Materials
Etching, Laid Paper, Intaglio
Welbeck Park Belongs to the Marquis of Newcastle /// Equestrian Horse Old Master
By William Cavendish
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Welbeck Park Belongs to the Marquis of Newcastle" (Plate 38, Page 263)
Portfolio: Methode et Invention Nouvelle de Dresser Les Chevaux (New Method and Invention of Dressing Horses)
Year: 1737 (Second edition)
Medium: Original Hand-Colored Engraving and Etching on watermarked laid paper
Limited edition: Unknown
Printer: Jean Brindley, London, UK
Publisher: Jean Brindley, London, UK
Reference: Brunet I, 1699; Graesse II:93; Lowndes VI:1663; Mellon/Podeschi 26, page 34-35; Mennessier de la Lance II, page 246-247; Nissen ZBI 848; Huth page 21
Sheet size: 17" x 21.25"
Image size: 15" x 20"
Condition: Toning to sheet and some edgewear in right margins. Centerfold is separated at very top and bottom in margins. It is otherwise a strong impression in good condition with strong colors
Notes:
With overlapping centerfold as issued. Engraved by Dutch artist Theodor van Kessel (1620-1696) after a drawing by Dutch artist Abraham van Diepenbeeck...
Category
1730s Old Masters Animal Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio, Etching
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
1790s English School Animal Prints
Materials
Laid Paper, Engraving, Intaglio
Bulls Fighting /// Antique Victorian Animal Landscape Etching Landscape Horse
By James Ward
Located in Saint Augustine, FL
Artist: (after) James Ward (English, 1769-1859)
Title: "Bulls Fighting"
Portfolio: The Portfolio
*Signed by Wise in pencil lower right. It is also signed in the plate (printed signature) lower right
Year: 1874
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: Unknown, London, UK
Publisher: Seeley, Jackson, and Halliday, London, UK
Sheet size: 9.75" x 13.75"
Image size: 5" x 8"
Condition: In excellent condition
Very rare
Notes:
Engraved by English artist William Wise...
Category
1850s Victorian Animal Prints
Materials
Etching, Laid Paper, Intaglio
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Figurative Prints
Materials
Laid Paper, Engraving, Etching
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Figurative Prints
Materials
Laid Paper, Engraving, Etching
You May Also Like
Wildlife - Etching by Jean Lepautre - 18th Century
By Jean Lepautre
Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century.
Good conditions.
Signed on plate.
The artwork is depicted through confident strokes.
Category
18th Century Old Masters Figurative Prints
Materials
Etching
$252 Sale Price
25% Off
Fine 1700's Italian Old Master Oil Painting Hunting Dogs with Game, Roman Ruins
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, early 18th century
The painting is almost certainly from the circle of the Italian Baroque painter known as 'Rosa da Napoli', Jacob Roos (Rome 1682-Na...
Category
Early 18th Century Baroque Landscape Paintings
Materials
Oil
$5,362 Sale Price
30% Off
Antique Animal Print of Various Dogs, 'c.1720'
Located in Langweer, NL
Untitled antique print of various dogs. Source unknown, to be determined. No signature. Published circa 1720.
Category
Antique Early 18th Century Prints
Materials
Paper
$144 Sale Price
20% Off
Wildlife - Etching by Jean Lepautre - 18th Century
By Jean Lepautre
Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century.
Good conditions.
Signed on plate.
The artwork is depicted through confident strokes.
Category
18th Century Old Masters Figurative Prints
Materials
Etching
$252 Sale Price
25% Off
Decoration With Animals - Etching by Luigi Aloja - 18th Century
Located in Roma, IT
Decoration With Animals is an Etching realized by Luigi Aloja (1783-1837).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Ancient Roman Fresco Of Animals - Etching by Vincenzo Aloja - 18th Century
By Vincenzo Aloja
Located in Roma, IT
Ancient Roman Fresco Of Animals, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century.
Signed on the plate on...
Category
18th Century Old Masters Figurative Prints
Materials
Etching