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François Nicolas Martinet
Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art

1770-1786

$350
$59541% Off
£265.83
£451.9241% Off
€305.76
€519.7941% Off
CA$489.02
CA$831.3341% Off
A$545.31
A$927.0341% Off
CHF 284.52
CHF 483.6841% Off
MX$6,691.17
MX$11,374.9941% Off
NOK 3,621.49
NOK 6,156.5341% Off
SEK 3,431.28
SEK 5,833.1841% Off
DKK 2,281.98
DKK 3,879.3741% Off
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About the Item

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signature) lower left Year: 1770-1786 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Imprimerie Royale, Paris, France Publisher: George-Louis Marie Leclerc, Comte de Buffon, Paris, France Reference: Anker No. 76; "Fine Bird Books" No. 83; McGill/Wood No. 267; Nissen IVB No. 158; Zimmer page 104-106 Sheet size: 13" x 9.25" Image size: 8.25" x 6.75" Condition: In excellent condition Notes: Comes from Buffon's ten volume portfolio "Histoire Naturelle des Oiseaux" (1770-1786), which consists of 1,008 hand-colored engravings. Biography: François-Nicolas Martinet (1731-1800) was a French engineer, engraver and naturalist. Martinet engraved the plates for numerous works on natural history, especially ornithology. Notable in particular are those for l'Ornithologia, sive Synopsis methodica of Mathurin Jacques Brisson (1760-63).

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Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...
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Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
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Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des...
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Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
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Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...
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Townsend's Cormorant /// John James Audubon Ornithology Bird Art Natural History
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Townsend's Cormorant" (Plate 418, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.13" x 6.5" Image size: 4.38" x 5" Condition: Light toning to sheet. Some light foxing and small areas of discoloration. Remnants of mounting tape from previous framing on verso. The white background was recently also hand-colored. In otherwise good condition with strong colors Notes: Provenance: private collection - Nashville, TN; acquired from a gallery in Nashville, TN. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition probably painted in London in 1838, from a specimen obtained near the mouth of the Columbia River. Brandt's cormorant is a strictly marine bird of the cormorant family of seabirds that inhabits the Pacific coast of North America. It ranges, in the summer, from Alaska to the Gulf of California, but the population north of Vancouver Island migrates south during the winter. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
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