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John GouldGrus Cinerea (Common Crane) /// John Gould Ornithology Bird Animal Lithograph1862-1873
1862-1873
$1,400
£1,052.69
€1,222.43
CA$1,955.07
A$2,168.32
CHF 1,138.69
MX$26,628.49
NOK 14,414.79
SEK 13,593.34
DKK 9,120.64
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About the Item
Artist: John Gould (English, 1804-1881)
Title: "Grus Cinerea (Common Crane)" (Vol. 4, Plate 19)
Portfolio: The Birds of Great Britain
Year: 1862-1873
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 750
Printer: Walter or Walter & Cohn, London, UK
Publisher: Taylor and Francis, John Gould, London, UK
Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78
Sheet size: 14.75" x 21.57"
Image size: 12.75" x 20.13"
Condition: Has been professionally stored away for decades. In excellent condition with strong colors
Notes:
Provenance: private collection - Aspen, CO. Lithography and hand-coloring by German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were John Gould and English artist Henry Constantine Richter (1821-1902). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued.
The common crane, also known as the Eurasian crane, is a bird of the family Gruidae, the cranes. A medium-sized species, it is the only crane commonly found in Europe besides the demoiselle crane and the Siberian crane that only are regular in the far eastern part of the continent.
Biography:
John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
- Creator:John Gould (1804 - 1881, British)
- Creation Year:1862-1873
- Dimensions:Height: 14.75 in (37.47 cm)Width: 21.57 in (54.79 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121214926492
John Gould
John Gould was an English ornithologist and bird artist. He published several monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. Gould has been considered the father of bird study in Australia, and the Gould League in Australia is named after him. His identification of the birds now nicknamed Darwin's finches played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species.
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By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881)
Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32)
Portfolio: The Birds of Great Britain
Year: 1862-1873
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 750
Printer: Walter or Walter & Cohn, London, UK
Publisher: Taylor and Francis, John Gould, London, UK
Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78
Framing: Recently beautifully framed in a gold Neo-Classical moulding with gold filet and 100% cotton rag matting from Holland. All archival
Framed size: 23.5" x 30"
Sheet size: 14.75" x 21.5"
Image size: 12.5" x 19.5"
Condition: One small tear at upper right edge which has been skillfully repaired from verso. Light mat stain in margins and one small area of discoloration upper left center. It is otherwise in very good condition with strong colors
Notes:
Provenance: private collection - Williamsburg, VA. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf...
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Roseate Spoonbill /// John James Audubon Natural History Ornithology Water Bird
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Roseate Spoonbill" (Plate 362, No. 73)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 1,200
Printer: John T. Bowen, Philadelphia, PA
Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA
Sheet size: 6.75" x 10.44"
Image size: 5" x 7.63"
Condition: In excellent condition
Very rare
The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series
Notes:
Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs.
Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine.
The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo.
To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
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