Kimi Salamonova

Three chestnut horses

2020

Lovely etching, framed, with fine art glass. Signed, E/A.

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

Print, limited edition of 10, Hahnemuehle paper, signed by the author, with gallery certificate.

Print/photography, limited edition of 15, signed by the author.

Not in Use By Harry Bunce [2020] Not in Use is a limited edition print by Harry Bunce. It depicts a humorous scene of rabbits hanging out of building windows each one behaving misch...

Essential Items By Harry Bunce [2020] Essential Items is a limited edition print by Harry Bunce. This work in Harry's usual style uses the characters of the rabbit and fox to create...

The New Normal By Harry Bunce [2020] The New Normal is a limited edition print by Harry Bunce. This satirical work depicts a rabbit cautiously aware of the new normal everyone is fa...

Studio Portrait: Medaglia d’Oro, 2009 Archival Pigment Print on Hahenmühle Fine Art Paper, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass 76x76cm/30x30in Edition of 5 only Certificate of Authenticity provided, Stamped and Signed by the gallery and John Reardon Archive Estate Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. This piece is part of "(after) Whistlejacket" - Contemporary Equine Photographs exhibition at MMX Gallery by John Reardon. The show explores an artistic way of photographing horses. "Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his camera, and the thoroughbred...