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Etching Animal Prints

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Style: Modern
Medium: Etching
Philip Morghen - Original Etching by Philip Morghen - 18th Century
Located in Roma, IT
Ancient Roman - The offering scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Philip Morghen in the 18th century. Signed on the plate....
Category

18th Century Modern Etching Animal Prints

Materials

Etching

The Buffalo - Etching After Charles Coleman - 1992
Located in Roma, IT
The Buffalo is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare editio...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Roman Countryside with the Carriage- Etching After Charles Coleman-1992
Located in Roma, IT
Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Roman Countryside with the Carriage- Etching After Charles Coleman-1992
Located in Roma, IT
Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Bull's Skull - Etching After Charles Coleman-1992
Located in Roma, IT
The Bull's skull is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 25 copies. Good...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Rustic House in Roman Countryside - Etching After Charles Coleman - 1992
Located in Roma, IT
The rustic house in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of ...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Shepherd Playing in Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The Shepherd playing in Roman Countrysideis an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition ...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Antelope in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Shepherd Playing in Roman Countryside - Etching After Charles Coleman - 1992
Located in Roma, IT
The Shepherd beside the well in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Bulls in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The Bulls in the Roman Countryside is an etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25 copi...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Bull in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The Bull in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Antelope in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...
Category

1990s Modern Etching Animal Prints

Materials

Etching

The Bulls in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The Bulls in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Antelope in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Duck on the Lake - Original Etching on Paper - 19th Century
Located in Roma, IT
Duck on the Lake is an original modern artwork realized in the 19th Century. Original Etching on paper. Mint condition. Duck on the Lake is an excellent artwork realized in the...
Category

Late 19th Century Modern Etching Animal Prints

Materials

Etching

The Cat - Etching on Paper by Gianpaolo Berto - 1970s
Located in Roma, IT
The Cat is an original etching on paper realized by Gian Paolo Berto in 1970s. Good conditions. The artwork represents a cat through perfect hatching. The artwork is depicted skill...
Category

1970s Modern Etching Animal Prints

Materials

Etching

Bull - Original Etching - 1946s
Located in Roma, IT
Bull is an original contemprary artwork realized by unknown artist in 1946.. Original etching on ivory paper. Image Dimensions: 18 x 13.5 cm Illegible Hand-signed in pencil by th...
Category

1940s Modern Etching Animal Prints

Materials

Etching

Dal Torchio Dell'Autore - Original Etching on Paper by Leo Guida - 1973
Located in Roma, IT
Dal Torchio Dell'Autore is an original black and white etching realized in 1973 by Leo Guida. Titled, dated and Hand-signed by the artist on the lower margin. Editions I/V. The st...
Category

1970s Modern Etching Animal Prints

Materials

Etching

Homage to Picasso - Mixed Media on Paper by Giampaolo Berto - 1975
Located in Roma, IT
Homage to Picasso is an original mixed media drawing on paper realized by Gian Paolo Berto, in 1975 Good conditions except for some light folds along the margins. Hand signed on t...
Category

1970s Modern Etching Animal Prints

Materials

Etching

Homo Ludens - Etching by Sergio Barletta - 1991
Located in Roma, IT
Homo Ludens is an original etching artwork, realized by Sergio Barletta in 1991. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbered on ...
Category

1990s Modern Etching Animal Prints

Materials

Etching

Lunch - Original Etching by Jean Boudal - Mid-20th Century
Located in Roma, IT
Lunch is an original contemporary artwork realized by the French artist Jean Boudal. Original etching on ivory paper. Mint conditions. With the stamp of the artist on the lower r...
Category

Mid-20th Century Modern Etching Animal Prints

Materials

Etching

The Sow and her Calves - Etching - 1931
Located in Roma, IT
The sow and her calves is an original drawing in etching technique on paper glued on ivory-colored cardboard, signed by Laurenzio Laurenzi (Assisi 1878 - Rom...
Category

1930s Modern Etching Animal Prints

Materials

Etching

Horse - Etching by Leo Guida - 1973
Located in Roma, IT
Composition is an etching artwork on cardboard realized by Leo Guida in 1973. Hand-signed in pencil and dated on the lower right. Nubred, edition I/V. The state of preservation is go...
Category

1970s Modern Etching Animal Prints

Materials

Etching

Bird - Original Etching - 1968
Located in Roma, IT
Bird is an original etching realized in 1968 by an Anonymous artist of the XX century, the state of preservation of the artwork is good. Hand-signed on the lower right, unreadable, ...
Category

1960s Modern Etching Animal Prints

Materials

Etching

Frog - l Etching by Marcel Guillard - 20th century
Located in Roma, IT
Frog is an original etching artwork, realized by Marcel Guillard (1896 -?). The state of preservation is very good. The artwork represents a lying down frog on the front and mounta...
Category

20th Century Modern Etching Animal Prints

Materials

Paper, Etching

Bird - Original Etching by Marcel Guillard - 1959
Located in Roma, IT
Bird is an original etching artwork, realized in 1959 by Marcel Guillard ( 1896-?). Hand-signed and dated in blue color pencil on the lower. The state of preservation is very good. ...
Category

1950s Modern Etching Animal Prints

Materials

Etching

The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

20th century etching animal print black and white cows farm scene sketch signed
Located in Milwaukee, WI
"Bovine Family" is an original etching by Leroy Neiman. The artist signed the piece lower left. It is edition 182/250 and dated 1980. It depicts a cow an...
Category

1980s Modern Etching Animal Prints

Materials

Etching

Leonor Fini - Magical Cat - Original Etching
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Etching Animal Prints

Materials

Etching

Leonor Fini - Red Cats - Original Etching
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...
Category

1980s Modern Etching Animal Prints

Materials

Etching

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Death of Faithful - Horses from Pilgrim’s Progress
Located in London, GB
Striking first proof of Péri’s “Death of Faithful”, from his Pilgrim’s Progress etchings. Inscribed “first proof”. Artist: Peter László Péri Date: 1...
Category

1950s Modern Etching Animal Prints

Materials

Paper, Etching

La Sorpresa II, from Personaggi
Located in New York, NY
Marino Marini (1901-1980) La Sorpresa II, from Personaggi (Guastalla A169), 1973 Etching and aquatint in colors, on wove paper, signed in pencil and numbered IV/XXV (there was also...
Category

1970s Modern Etching Animal Prints

Materials

Etching, Aquatint

Oiseau dans son nid (Bird in its Nest) from Août (August)
Located in Palo Alto, CA
Braque Oiseau dans son nid (Bird in its Nest) from Août (August), 1958 is an exquisite work that revisits Braque’s beloved bird motif. Beautifully inspir...
Category

1950s Modern Etching Animal Prints

Materials

Aquatint, Etching

Char noir (Char V) - Etching, Greek, Mythology, Acient, Horse, Chariot
Located in Köln, DE
Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958. The edition on BFK RIVES comprises approx. 75 copies. The present copy...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Color, Aquatint

Migration - Modern, Colour Aquatint, Birds
Located in Köln, DE
Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...
Category

1960s Modern Etching Animal Prints

Materials

Etching, Aquatint

La bibliothèque est en feu (René Char) - Modern, Colour Aquatint, Birds, Blue
Located in Köln, DE
Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...
Category

1950s Modern Etching Animal Prints

Materials

Aquatint, Etching

Blue Horses
Located in Fort Lauderdale, FL
The Salvador Dali Les Chevaux Bleus (Blue Horses) etching with hand coloring was published in 1967 by Pierre Argillet, Paris. The total tirage is 335 on various papers. This etchin...
Category

Late 20th Century Modern Etching Animal Prints

Materials

Archival Paper, Etching

"Les trois oiseaux en vol"
Located in Köln, DE
One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...
Category

1960s Modern Etching Animal Prints

Materials

Aquatint

no title / "Oiseau bleu"
Located in Köln, DE
One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...
Category

1950s Modern Etching Animal Prints

Materials

Aquatint

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available

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