Etching Animal Prints

Wild Canary is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stu...

Finch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart...

Wood Rooster is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by St...

Woodcock is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttg...

Eagles is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgar...

Eagle is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart...

Gull is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart ...

Bittern is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttga...

Cacatues is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttg...

Thrush is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgar...

Red Throttle is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by St...

Ordinary Duck is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by S...

Pigeon With Fan Tail is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, publish...

The donkey and the dog is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25 copies....

Eagle Fisherman is an etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by...

Wild Goose is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...

Animal Figures of Ancient Rome from the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century realized by Vincenzo Aloja. In very good condition, exc...

Homo Ludens is an etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the edition of 50 prints. Good conditions. Sergio Barletta (1934) is an Italian cartoonist and illustrator. He has also published some humorous and political satire books. From the age of 22 he is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography...

Homo Ludens is an etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the edition of 50 prints. Good conditions. Sergio Barletta (1934) is an Italian cartoonist and illustrator. He has also published some humorous and political satire books. From the age of 22 he is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings...

Birds Pompeian Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Secondo De Angelis in the 18th Century. Signed on the plate. Good conditions. The etchin...

Homo Ludens is a etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the edition of 50 prints. Good conditions. Sergio Barletta (1934) is an Italian cartoonist and illustrator. He has also published some humorous and political satire books. From the age of 22 he is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings...

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...

The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...

The Flower Vase is an original etching print on paper realized by Richard Bellies in 1950s. Hand-signed and dated on the lower right. Numbered, edition of 24/60 prints. Included a...

Fables is an original modern rare book Jean de La Fontaine (Château-Thierry, 1621 – Paris, 1695) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1868. Publi...

Artist: Thomas Cornell (American 1937-2012) Title: Monkey (Edition 33/100 Dated 1959) Medium: Etching on paper Condition: This work is in good condition, in its original frame. Provenance: Private Collection New York About: Cornell was known for empirical drawings and paintings. His work involved moral content concerning global, social, and environmental justice. He was the Richard E. Steele Artist-in-Residence at Bowdoin College...

Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

Fight is an original etching realized by Gérard Cochet in the Early 20th Century. Good conditions. Hand-signed. Numbered. Edition,35/50. The artwork is depicted through soft stro...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Fight is an original etching realized by Gérard Cochet in the Early 20th Century. Good conditions. Hand-signed. Numbered. Edition,35/50. The artwork is depicted through soft stro...

Printed on Dark Paper a magnificent piece. this is an etching with embossing on black wove, J Barcham Green paper Publisher Styria Studio, chopmark lower left Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work. In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York. Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany. He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn...

Roman Countryside and shepherds is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 2...

This artwork titled "Faculty Meeting" c.1990 in an original etching with intensive hand coloring on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered E.V 5/8 in pencil by the artist. The image size is 16 x 15.65 inches, sheet size is 24.35 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

The Physiognomy - The Bats is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Hummingbird 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint Edition of 100 copies. On the back oh the artwork there is an inscription...

Amitabh Sengupta - Dry Point - 25.5 x 19.5 inches (unframed size) Etching on Paper , 2012 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted in...

Composition with Monkeys is an original artwork realized by Thomas Landseer (1795-1880) in the middle of the 19th century. Original etching. Good condition. Draughtsman and printmaker, chiefly of animal and satirical subjects. Eldest son of the engraver John George Landseer. Studied with his brothers Charles and Edwin under Benjamin Robert Haydon, alongside Thomas Bewick...

The horses in the Roman Countrysideis an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

Wild horses in Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The ra...

The Horse is an etching realized by Marcel Kurtz Hand-signed in pencil, on the lower right. Numbered. Edition 3/15. Good conditions. The artwork represents the head of a horse...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...

Ancient Roman Frescoes, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Nicolò Vanni in the 18th century. Signed on the plate...

The Physiognomy - The birds of animals is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledg...

Animals Muzzles is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate. Good conditio...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Surreal Fish is an original artwork realized by Marthe Delacroix (French, 1898–1970) in the mid-20th century. Hand-signed, limited edition etching, numbered 20/90. Excellent conditi...

Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Nicolò Vanni in the 18th century. Signed on the plate....

Fishing Nets is an original etching realized by Camille Berg in 1904. Good condition. Hand-signed, dated and numbered by the artist with pencil.

The Shepherd playing in Roman Countrysideis an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition ...

The Bird is an original artwork realized by Giselle Halff (1899-1971) in the mid-20th Century. Original black and white etching on cardboard. Good conditions. Not signed.

Ancient Roman painting - The reverence scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Philippus...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...

The Physiognomy - The faces is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...