Lithograph Animal Prints

Luis Jimenez (American, 1940-2006) "Study for Los Lagartos" 1998 **UNIQUE** *This was originally an etching in black and white, done in 1996 as an edition of 50. This is 20/50. THEN, in 1998, Jimenez visited Laumeier Sculpture Park in St. Louis, Missouri and HAND-COLORED IT! Signed and Dated in Pencil Lower Center Lithograph/Etching, Numbered 20/50 and Dated 1996 Then, HAND COLORED BY THE ARTIST in 1998 15 x 21.75 inches 21 x 29 inches with frame Using "low brow" materials including fiberglass and plastic, he creates satirical comments about American life. He also works in bronze, and his images depict modern pop culture including the stereo-typical American West. Jimenez was born July 30, 1940, in El Paso, Texas, and started working with his father in a custom sign...

Leonor Fini Du fil à retordre, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

'Brontops Robustus, Marsh 1/4' Lithograph by Emil Crisand after the drawing by Frederick Berger, under the supervision of Othniel Charles Marsh. Depicts dinosaur fossil...

'Spaniel and Chow' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of an...

'Rinder' (Cattle Breeds) German chromolithograph, circa 1895. Key to animals in German below the image. 245mm by 305mm (sheet). Central vertical fold as issued.

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

'Auslandische Cikaden' (Foreign cicadas) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

This original lithograph is hand signed in pencil by the artist "Picasso" in the lower right image. It is hand numbered in pencil from the edition of 25, in the lower left image. The...

Seguy, E.A. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. A mosque ...

ARTIST: Salvador Dali TITLE: St. George and The Dragon MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 227/250 MEASUREMENTS: 30" x 22" YEAR: 1973 FRAMED: No CONDITION...

The Search Michael Knigin, American (1942–2011) Date: 2002 Screenprint, signed and numbered in pencil Edition of 14/90 Image: 22 x 16 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Zao Wou-Ki (Chinese, French, 1921-2013) Les Poissons, 1953 Lithograph Hand-signed in pencil Lower Right Hand-numbered 16/55 in pencil Lower Left 18 x 23 1/8 inches 29 x 33 inches wit...

Artist: Benny Andrews, American (1930 - 2006) Title: Moving On Year: 1980 Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Caribou or American Rein Deer", No. 26, Plate CXXVI, from Audubon's "Quadrupeds of Nor...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Haring in conjunction with the Benefit Performances for the New Arts Program o...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper a reproduction lithograph after the drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

Artist: Alexander Calder Title: Beastie Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Open Frame Size: 27" x 33" Sheet Size: 20" x 26" Image Size: 20" x 26" Signat...

A close portrait of a horse wearing a laurel crown with the rays of the sun emanating from behind its head. The horse theme was frequently used by Dali throughout his career. The hor...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

'Sealyham and Setter' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...

Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...

'Alpenpflanzen' (Alpine Plants) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...

Original Radio Radiola vintage French antique poster. Archival linen-backed and in very good condition. Bright and vibrant. Artist: Rene Ravo....

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

LEONOR FINI Cats in Chairs 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

GREEN HORSE, TWO GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. GREEN HORSE, TWO GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful bright green horse with dark blue mane and tail standing with two lovely dark green haired Asian women...

Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Jonas Wood (b. 1977, Boston) makes paintin...

Original Lowenbrau Munchen Vintage Poster with Iconic Lion - Conservation Linen Backed, Ready to Frame, Excellent Condition. (Löwenbräu München) The Original Lowenbrau Munchen Vintage Poster with Iconic Lion is a true collector's item. This poster features the company's iconic Gothic lion design, which has become synonymous with the brand. Conservation linen backed and in excellent condition, this poster is ready to be framed and displayed in any space. The gold and blue colors of the lion add a royal touch to the poster, making it a stunning piece of art. Perfect for beer enthusiasts and collectors, this vintage poster is a timeless treasure that celebrates the heritage of Lowenbrau Munchen. Its name is German for "lion's brew". Most Löwenbräu beers are marketed as being brewed according to the Reinheitsgebot, the Bavarian beer...

'Canard Siffleur' (Eurasian Wigeon) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)

Artist: Slonem, Hunt Title: White Bunnies III Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" Signature: Si...

This is for the set of both (2) original Boris O'Klein prints, part of his series of the 'dirty dogs of Paris." Both are in very good condition,...

Emilio Vedova - Original Lithograph Abstraction 1961 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe III, Plate IV Portfolio: Miro Lithographe III Year: 1977 Edition: Unnumbered Framed Size: 19 5/8" x 16 3/4" Imag...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

Henry Moore - Original Lithograph 1977 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.69" x 10.5" Image size: 5" x 7.63" Condition: Minor toning and faint offsetting to sheet. In otherwise excellent condition with strong colors Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - San Francisco, CA. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. The sheet interestingly still retains two of its original binding strings across its bottom edge. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Keith Haring Secret Pastures 1984: Rare original 1984 Keith Haring designed poster for the historic, "Secret Pastures" show at The Brooklyn Academy of Music (BAM) in 1984. The very 1980s performance also featuring Haring set design. A well-sized original 1980s Haring collectible sure to standout in any setting. Off-set lithograph. 25 x 37.75 inches. Fair overall vintage condition. Surface markings; mild creasing; moderate signs of handling; small pin-holes to each corner; otherwise intact with well-preserved colors (no rips or tears). Printed signature ‘K.Haring 1984...

Deer John is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 35/275 (there were also 100 Roman and 20 AP). Framed in...

Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...

This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches