Strix scops.
1 of 4
Cornelius Nozeman and Jan Christian SeppStrix scops.1770
1770
About the Item
- Creator:
- Creation Year:1770
- Dimensions:Height: 21.07 in (53.5 cm)Width: 14.38 in (36.5 cm)
- Medium:
- Period:
- Condition:General age-related toning and occasional light staining as visible on image.
- Gallery Location:Zeeland, NL
- Reference Number:Seller: 010374 TPCRC B18-291stDibs: LU59232093743
You May Also Like
- Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird AudubonBy John James AudubonLocated in Saint Augustine, FLArtist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...Category
1830s Victorian Animal Prints
MaterialsWatercolor, Engraving, Aquatint, Intaglio
- Minne Playing with a Cat (Minne Jouant avec un Chat)By Jacques VillonLocated in New York, NYJacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...Category
Early 1900s Impressionist Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Kate Boxer, I Won't Eat You, Limited edition animal print, contemporary artLocated in Deddington, GBI Won’t Eat You [2021] limited_edition Drypoint print Edition number of 30 Image size: H:81 cm x W:113 cm Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm Sold Unframed ...Category
21st Century and Contemporary Contemporary Animal Prints
MaterialsDrypoint, Etching, Paper
- Merian - A Group of Six Flowers, Insects and Fruits.By Maria Sibylla MerianLocated in London, GB[MERIAN, Maria Sibyl]. A Group of Six Flowers, Insects and Fruits. The Hague, Gosse, 1719. A group of six engravings by J. Mulder, P. Sluyter and D. Stoopendaal after Merian, with later hand-colour, of flowers, fruits and insects from Dissertatio de Generatione et Metamorphasibus Insectorum Surinamensium. Framed and glazed, overall dimensions: 38.2cm by 53.2cm. Superb engravings which depict the metamorphoses of South American insects and the exotic plants on which they feed. Maria Sybilla, daughter of the German engraver and publisher Matthias Merian, devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies...Category
1710s Naturalistic Animal Prints
MaterialsEngraving, Handmade Paper, Etching
- Chicken With Garlic and BasilBy Sharon Augusta MitchellLocated in Palm Springs, CAThe lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...Category
Early 2000s Contemporary Animal Prints
MaterialsAquatint, Mezzotint
- Hooked Salmon, angling fish etching by George Marples, circa 1920Located in Melbourne, VictoriaMarples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...Category
1920s Other Art Style Animal Prints
MaterialsDrypoint, Etching