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1760s Animal Prints

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Period: 1760s
THE COMMON BUZZARD
By Peter Mazel
Located in Portland, ME
(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...
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1760s Animal Prints

Materials

Engraving

A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Red & Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
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Naturalistic 1760s Animal Prints

Materials

Engraving

A Pair of Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of male and female woodpecker birds entitled "1. Pie Male de la Encenada, 2. Petit Pic des Moluques (Woodpeckers)"...
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Naturalistic 1760s Animal Prints

Materials

Engraving

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
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Naturalistic 1760s Animal Prints

Materials

Engraving

An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Sparrowhawk /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Art
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785) Title: "Sparrowhawk" (Plate XXI - 21) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588 Sheet size: 17.88" x 14.07" Platemark size: 13.69" x 11.69" Condition: A few small minor areas of discoloration in margins. Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in center of sheet. The Eurasian sparrowhawk, also known as the northern sparrowhawk or simply the sparrowhawk, is a small bird of prey in the family Accipitridae. Adult male Eurasian sparrowhawks have bluish grey upperparts and orange-barred underparts; females and juveniles are brown above with brown barring below. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set of 600 hand-colored engraved plates of birds. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Manetti. Manetti created the drawings almost exclusively from real specimens, beginning with the extensive collection of Marquis Giovanni Gerini, an affluent Florentine Senator. Manetti saw the work was published in parts of 12 plates, issued every two months or so, most plates dedicated to a prominent member of the Italian nobility and gentry. Printed on handmade watermarked laid paper and published by heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), between 1767-1776 in Florence, Italy. It took 10 years to complete and at its time, was one of the largest surveys of ornithology attempted and the finest set of bird books to ever be created. Biography: Francesco Saverio Manetti...
Category

Old Masters 1760s Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

18th Century Hand Colored Engraving of a Camel from Pennant's " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
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Naturalistic 1760s Animal Prints

Materials

Engraving

Gran Grue Della Baia d'Hudson - Etching by Andrea Scacciati The Younger
By Andrea Scacciati
Located in Roma, IT
Gran Grue Della Baia d'Hudson is a beautiful black and white etching on laid paper realized by the Italian artist, Andrea Scacciati. Title engraved on the higher margin, inscription ...
Category

Old Masters 1760s Animal Prints

Materials

Etching

The Royston Crow (Hooded Crow) /// Thomas Pennant Ornithology Bird Animal Art
By Thomas Pennant
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798) Title: "The Royston Crow (Hooded Crow)" (Plate D1) Portfolio: The British Zoology, Class II: Birds Year: 1761-1766 (First edition) Medium: O...
Category

Old Masters 1760s Animal Prints

Materials

Watercolor, Engraving, Laid Paper

Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category

Naturalistic 1760s Animal Prints

Materials

Engraving

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Greyhound
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Untitled (Three Ducks Taking to Flight)
Located in Fairlawn, OH
Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Image/Plate size: 10 1/2 x 8 1/4 inches Sheet size: 12 1/2 x 10 5/16 inches Created while the artist was a commercial artist working in Minneapolis, after his tenure of being an instructor at the Minneapolis Institute of Art in the 1930's. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld...
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American Realist 1760s Animal Prints

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Mallard Drakes (Louisiana Honkers)
Located in Fairlawn, OH
Mallard Drakes (Louisiana Honkers) Drypoint, c. 1940 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium. Condition: Excellent Image/Plate size: 9 7/8 x 7 7/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
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American Realist 1760s Animal Prints

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untitled (Duck taking to flight, flushed by a dog)
Located in Fairlawn, OH
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American Realist 1760s Animal Prints

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Pug, Greyhound, Terrier
Located in Columbia, MO
Pug, Greyhound, Terrier 1883-84 Chromolithograph 8.5 x 11 inches
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Naturalistic 1760s Animal Prints

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Lithograph

American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition
Located in Paonia, CO
American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...
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Naturalistic 1760s Animal Prints

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Dropping In
Located in Fairlawn, OH
Dropping In Drypoint, c. 1940 Signed lower right (see photo) Titled lower left Condition: Excellent Brown paper tape around the sheet edges from the printing and air dryi...
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American Realist 1760s Animal Prints

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Dropping In
Dropping In
$500
H 8.38 in W 10.25 in
Dead Bird for Craigie No. 2
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings. This arresting portrait of a raven's body is executed in moody shades of black and grey. A tangle of short, sharp marks swirls against the white background, resembling flying birds. At the top, hand written text reads: "dead bird...
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Expressionist 1760s Animal Prints

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Drypoint

In th Bighorns (Wyoming)
Located in Fairlawn, OH
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Elephant
Located in Fairlawn, OH
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Materials

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Previously Available Items
American Eagle: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "Aigle d' Amerique (American Eagle)" by Francois Nicolas Martinet, plate 417 from 'Histoire Naturelle des Oiseaux' in assoc...
Category

Naturalistic 1760s Animal Prints

Materials

Engraving

The Great Speckled Diver (Great Speckled Loon) /// Thomas Pennant Ornithology
By Thomas Pennant
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798) Title: "The Great Speckled Diver (Great Speckled Loon)" (Plate K*) Portfolio: The British Zoology, Class II: Birds Year: 1761-1766 (First ed...
Category

Old Masters 1760s Animal Prints

Materials

Watercolor, Laid Paper, Engraving

An 18th Century Hand Colored Engraving of a Crane "La Demoiselle" by Martinet
Located in Alamo, CA
A hand colored engraving of a crane entitled "La Demoiselle de Numidie" by Francois Nicolas Martinet, plate 241 from 'Histoire Naturelle des Oiseaux' in association with Georges Loui...
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Naturalistic 1760s Animal Prints

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A Female Penguin: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
A hand-colored engraving of a female penguin entitled "Femelle du Pingoin" by Francois Nicolas Martinet, plate 1004 from 'Histoire Naturelle des Oiseaux' in association with Georges Louis Leclerc Comte de Buffon, first published in Paris in 1765 by Edme Louis Daubento. It depicts a female penguin standing on a flat surface. This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked paper, which measures 12.63" x 9.38". It is in excellent condition. Francois Nicolas Martinet (1731-c1804) was a French naturalist, engineer and artist, particularly as a skilled engraver. He produced engravings for numerous publication on natural history. He is best known for his bird engravings. Martinet also illustrated many plays and operas by Voltaire and others, as well as creating landscapes and scenes of Versailles and portraits of royalty and aristocrats. George Louis Leclerc Buffon (1707-1788) was a French aristocrat who became a very prominent and respected scientist and mathematician. He was the director of the Jardin des Plantes botanical garden in Paris. He published the 36 volume Histoire Naturelle, Générale et Particulière (1749-1788) which included Martinet's bird illustrations...
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Naturalistic 1760s Animal Prints

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Woodpecker "Pictachete": An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a woodpecker entitled "Pictachete de Cayenne" by Francois Nicolas Martinet, plate 553 from 'Histoire Naturelle des Oiseaux' in association with Georges Louis Leclerc Comte de Buffon, first published in Paris in 1765 by Edme Louis Daubento. It depicts a woodpecker on a live tree stump with leaves. This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked paper, which measures 12.63" x 9.38". It is in excellent condition. Francois Nicolas Martinet (1731-c1804) was a French naturalist, engineer and artist, particularly as a skilled engraver. He produced engravings for numerous publication on natural history. He is best known for his bird engravings. Martinet also illustrated many plays and operas by Voltaire and others, as well as creating landscapes and scenes of Versailles and portraits of royalty and aristocrats. George Louis Leclerc Buffon (1707-1788) was a French aristocrat who became a very prominent and respected scientist and mathematician. He was the director of the Jardin des Plantes botanical garden in Paris. He published the 36 volume Histoire Naturelle, Générale et Particulière (1749-1788) which included Martinet's bird illustrations...
Category

Naturalistic 1760s Animal Prints

Materials

Engraving

An 18th Century Hand Colored Engraving of a Falcon "Le Faucon" by Martinet
Located in Alamo, CA
A hand colored engraving of a falcon entitled "Le Faucon" by Francois Nicolas Martinet from 'Histoire Naturelle des Oiseaux' in association with Georges Louis Leclerc Comte de Buffon...
Category

Naturalistic 1760s Animal Prints

Materials

Engraving

18th Century Hand Colored George Edwards Lanius (Shrike) Bird Engraving
Located in Alamo, CA
18th century hand colored copper-plate engraving of an exotic bird, "Lanius, cauda forcipata" or Shrike, Tab VII from "A Natural History of Uncommon Birds, and of some other Rare and...
Category

1760s Animal Prints

Materials

Engraving

18th Century Hand Colored Bird Engraving by George Edwards
Located in Alamo, CA
18th century hand colored copper-plate engraving of an exotic bird, "Avis quaedam specici mixtae, ex Gallo Indico et Phafiano natae" (a type of Pheasant), Tab XXVII from from "A Natu...
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1760s Animal Prints

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18th Century Hand Colored George Edwards Engraving of "Fringilla Africana" Bird
Located in Alamo, CA
An 18th century hand colored copper-plate engraving of an exotic bird, "Fringilla, Africana, macroura" or Pin-tailed whydah, Tab LXVI drawn by George Edwards 1694-1773), the premier ...
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Three 18th Century Hand Colored Engravings of Birds by George Edwards
Located in Alamo, CA
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