Rachel Howard

Apple

2016


Screen print in colours on wove paper
 30.5 × 38 cm sheet 
 Artist proof - aside from an edition of 50

8 Colour Screenprint on Somerset Satin White 410gsm Paper 78 x 61 cm hand-signed and numbered by the Artist Eelus is a contemporary British artist known for his striking use of colo...

Archival Pigment print on Hahnemuhle museum etching paper edition 24 of 250 printed signature on archival label on verso Published by Exhibtion A and comes with publisher's COA. Br...

Me & You, 2022 3-Colour Screenprint With Glitter Overlay on Somerset Satin 280gm Paper with cut edges edition of 175 Hand-signed and numbered by the artist. 45 x 30 cm The artist hi...

Exhibiting internationally since the early 1990s, Suzanne McClelland’s practice includes both large-scale paintings and works on paper, often extracting fragments of speech or text f...

edition 1/20 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees ...

Daniella Dooling Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...