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Art Subject: Fruit
Salvador Dali - Flordali II, Butterfly Rose
Located in London, GB
Salvador Dali,
Flordali II, 1981
Lithograph on Arches vellum
Edition of 5000
103 x 73 cm
signed in the plate
Catalogue references: Field page 233 / Michler & Lopsinger 1586
This...
Category
1980s Surrealist Animal Prints
Materials
Lithograph
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Picasso, La Guêpe, Histoire naturelle (after)
Located in Auburn Hills, MI
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Salvador Dali - Cherries - Original Hand-Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Cherries - Original Hand-Signed Lithograph
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned
Edition: EC.d (collaborator edition "d")
Excellent Condition
Refer...
Category
1960s Surrealist Animal Prints
Materials
Lithograph
Cat with a Bow, Modern Signed Screenprint by Igor Galanin
By Igor Galanin
Located in Long Island City, NY
Artist: Igor Galanin, Russian/American (1937 - )
Title: Cat with a Bow
Year: circa 1985
Medium: Serigraph, signed and numbered in pencil
Edition: 100
Size: 40.5 x 32.5 in. (102.87 ...
Category
1980s Folk Art Animal Prints
Materials
Screen
Mike Mitchell - Mancatcher - Contemporary Artist
Located in Asheville, NC
Mike Mitchell - Mancatcher - Contemporary Artist
Artists;
Mitchell, Mike
Manufacturer:
Static Medium
Edition Details
Year: 2015
Class: ...
Category
2010s Contemporary Animal Prints
Materials
Giclée
Pisa Tower and Apple - Original handsigned black-manner etching - 100 copies
By Mario Avati
Located in Paris, IDF
Mario AVATI
Pisa Tower and Apple
Original black manner etching
Handsigned in pencil
Numbered / 100 copies
On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in)
...
Category
1970s Modern Animal Prints
Materials
Etching
Anatomy - Etching by François Basan - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by François Basan.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
A...
Category
1770s Modern Figurative Prints
Materials
Etching
Fishes - Original Etching by Nino Cordio - 1965
By Nino Cordio
Located in Roma, IT
Fishes is an original mixed colored etching realized by Nino Cordio in 1965.
Hand signed and dated on the lower right margin.
Artist's proof. Hand-written dedication on the lower margin.
Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...
Category
1960s Animal Prints
Materials
Etching
Interior of an Animal - Etching - 1771
Located in Roma, IT
Interior of an Animal is an etching realized in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris: I...
Category
1770s Modern Figurative Prints
Materials
Etching
Hummingbird
Located in Fairfield, CT
About the Artist:
Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...
Category
2010s Contemporary Still-life Prints
Materials
Paper, Screen
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Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
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While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
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Located in London, GB
A fine impression with good margins published by Associated American Artists.
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