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Tammy MackayThe Bearded One, black and white goat print, Animal Art, Limited edition print2016
2016
About the Item
Tammy Mackay’s photopolymer print “The Bearded One” is the largest of three prints from her Goat series. The image of the goat is deeply rooted in her childhood and so is one of nostalgia. Each print of this photopolymer plate is carefully hand printed on Somerset paper. The edition of this print is 40 and it is sold unframed.
Signed in pencil by the artist in the bottom right hand corner.
Sheet size: H:76.5cm x W:105.5cm
Image size: H:63cm x W:85cm
Please note: the images are taken of the work which is cellophane wrapped currently in our gallery so there may be some reflections.
- Creator:Tammy Mackay (British)
- Creation Year:2016
- Dimensions:Height: 24.81 in (63 cm)Width: 33.47 in (85 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: Wychwood Art Gallery1stDibs: LU63235368951
Tammy Mackay
Tammy Mackay works are available to buy with Wychwood art online and in our art gallery. Tammy Mackay's Dodo work and other works are available for sale online and in our art gallery but do call us to double check . Tammy Mackay comments "I have always had a passion for printmaking, which has always been my main form of expression. Although I have used etching and monoprint as my primary mediums, I have always experimented with new techniques. More recently I have used photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine collé. Exploring and developing new techniques opens up new possibilities which I feel is essential to my development as an artist and printmaker. Tammy Mackay's most recent body of work is entitled Love [loss] and Identity. This series has been a personal exploration of these themes. A journey of feelings often linked to an object, moment or past memory. Images have become both layered in process and layered in meaning. Animals and birds have become central to the theme and convey a subtle symbolism within their depiction. “Those Lost Forever” exhibited at the Royal Academy Summer Exhibition 2013 and “Gone but not Forgotten” exhibited in this year’s show are both from this series. I grew up on a farm in the Eastern Cape of South Africa
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