Zammy Steynovitz

Carousel Horse with Musicians

Marie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame. Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Boldly colored close up of a ...

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

Clare Halifax D is for Dog Limited Edition 3 Colour Silkscreen Print Edition of 100 Image Size: H 35cm x W 35cm Sheet Size: H 37cm x W 38cm x D 0.1cm Sold Unframed (Please note that ...

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...